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Both Viola and Simondon prioritise a techno-aesthetic experience that reveals a consistent pattern of interdependence between form and matter, nature and culture, human and nonhuman. Inspired by Simondon’s ideas on individuation as process, and by other major figures of process philosophy such as Raymond Ruyer, Deleuze and Guattari, and Brian Massumi, Elena del Rio delves deep into Viola’s art and finds a politics of nature that is also a politics of the affects. In taking full account of the interrelation between collective affects and living milieus, this politics exceeds the still anthropocentric project of a politics reductively focused on environmental degradation. The book works with a broad concept of ecology that encompasses a nature-culture continuum - from Simondon’s associated milieu to Guattari’s tripartite ecological praxis, from Deleuze and Guattari’s existential territories to Massumi’s affective events. Attending to this nature-culture continuum and activating our collective energies are prime strategies in tackling the overwhelming psycho-social and environmental crises we face.
This is a story of the destruction of the world as we know it A chance encounter between some adventurous tourists and an ancient and deeply evil race turns a peaceful world into hell on earth. The enemy comes from deep within the planet, and sets about systematic elimination of the world's civilizations. The most sophisticated weaponry that man can deploy has no effect against the power of the beasts from below. However, there is a glimmer of hope. Can man through his creativity find a way to defeat the beasts, or is there another way for humankind to survive the holocaust?
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