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Promoted as a 'disturbingly perfect' and 'deeply shallow' television drama and created by Ryan Murphy, who is also behind the teen musical show Glee, Nip/Tuck has been one of the most popular and controversial shows on cable TV. The misadventures and soap opera-esque entanglements of the lives of plastic surgeons Christian Troy (Julian McMahon) and Sean McNamara (Dylan Walsh) won Golden Globes and boycotts from the American Family Association. Yet, as this first full critical examination of Nip/Tuck shows, ironically the show is an examination of the American family and its many definitions, anxieties and complications of gender and sexuality, and the class issues and illusions surrounding the American dream. It is also revealed as a glorious televisual melodrama, full of Gothic tropes and contemporary sensationalism and at the same time, a deeply misanthropic satire on the American dream with a sometimes highly problematic portrayal of women and minorities. The book also features an interview with frequent Nip/Tuck director Elodie Keene and an episode guide.
This book explores the experience of small farmers, labourers and graziers in provincial Ireland from the immediacy of the Famine until the eve of World War One. During this period of immense social and political change, they came to grips with the processes of modernisation. By focusing upon east Galway, it argues that they were not an inarticulate mass, but rather, they were sophisticated and politically aware in their own right. This study relies upon a wide array of sources which have been utilised to give as authentic a voice to the lower classes as possible. Their experiences have been largely unrecorded and this book redresses this imbalance in historiography while adding a new nuanced understanding of the complexities of class relations in provincial Ireland. This book argues that the actions of the rural working class and nationalists has not been fully understood, supporting E.P. Thompson’s argument that ‘their aspirations were valid in terms of their own experiences’.
County Louth and the Irish Revolution, 1912–1923 explores the local activism of the IRA and how revolution was experienced by rural and urban labourers, RIC men, republican women, cultural activists, and Big House families. Events were increasingly shaped for all these groups by the developing reality of partition, transforming a marginal county into a borderland and creating a zone of new violence and banditry. The expert contributors to the first-ever local history of the county during this period bring to light a wealth of fascinating stories that will appeal to the general public and historians alike. Critically, these stories reveal new findings about the early military skirmishes in County Louth by republican figures such as Seán MacEntee and Frank Aiken; the controversial sectarian massacre at Altnaveigh; and how the Civil War made a fiery battlefield of Dundalk and Drogheda. County Louth and the Irish Revolution, 1912–1923 documents the complexity of the local experience as the national revolution merged with long-established antagonisms and traditions, the effects of which have shaped the county ever since.
In 1944, W.T. Cosgrave described the Christian Brothers as 'Ireland's gift to civilization'. More recently, a former government minister called them 'a shower of savage bastards'. This history aims to get beyond these stereotypical representations of Edmund Rice and the first generation Christian Brothers, to see them as they saw themselves and were understood by their contemporaries. It goes beyond hagiography, and interprets the Brothers within context, against the background of Catholic Emancipation, the modernization of Irish society and the fashioning of the Church according to the norms of the Council of Trent.
Vols. 1- include the sections: Writings on Irish history, 1936- ; Research on Irish history in Irish universities (varies slightly) 1937/38-
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