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This book will be the first account of the development of Chinese as a foreign language in the U.S., as it interacts with the relevant entities in China and beyond. There are virtually no systematic retrospective reflections on the field outside of the greater China region; and yet over the past decades the field has grown by leaps and bounds, and it is critical now that we pause to reflect on what has happened and what we can learn from the past. The contributors are among some of the most influential pioneers in the field whose entire academic lives have been dedicated to its development. The Field of Chinese Language Education in the U.S.: A Retrospective of the 20th Century is aimed at those who are currently engaged in Chinese language education, as teachers or as students.
ING_08 Review quote
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Über dieses Buch: Dieses Buch diskutiert Funktionen und Potenziale des Hànyǔ Pīnyīn im Unterricht des Chinesischen als Fremdsprache (ChaF) – mit Beiträgen von Expertinnen und Experten aus Deutschland, Österreich, der Schweiz und den USA, die sich mit diesem Thema in Theorie und Praxis intensiv beschäftigt und umfangreiche Erfahrungen mit dem Hànyǔ-Pīnyīn-Einsatz im ChaF-Unterricht gesammelt haben. Thematisiert werden neben üblichen Anwendungen (Ausspracheunterricht und Angabe der Lautung von Schriftzeichen) vor allem Fragen der Förderung vielfältiger mündlicher und schriftlicher Kompetenzen – einschließlich des Leseverständnisses für Schriftzeichentexte – im Unterric...
Written as the ludicrous and disturbing ramblings of an errant, pseudo-intellectual urbanite secluding himself from the underworld in an impoverished coastal village of Taiwan in the early 1960s, this novel prompted the first critical discussion of postmodernism in Chinese fiction and still stands as the most provocative and innovative narrative published in Taiwan over the past two decades.
In this detailed analysis of the life and teachings of Deguchi Nao (1837-1918) and the religion she founded, Omotokyo, Emily Ooms expands and refines our understanding of women's roles in the creation of new modes of religious thought and action in Japan. Placing Nao within a broad historical context, Ooms also shows how women's experience and consciousness of rapid socio-economic change in late nineteenth-century Japan inspired new forms of resistance and protest.
The contributors to this collection of seven essays (plus an editor's introduction and a comparative afterword) have framed debates about the construction of commercial culture in China. They all have agreed that during the early twentieth century China's commercial culture was centered in the private sector of Shanghai's economy and especially in the "concession" areas under Western or Japanese rule, but they have differed over the issue of whether foreign influence was decisive in the creation of Shanghai's commercial culture. Between 1900 and 1937, was Shanghai's commercial culture imported from the West or invented locally? And between 1937 and 1945, was the history of this commercial culture cut short by Japanese military invasions and occupations of the city or was it sustained throughout the war? The contributors have proposed various and even conflicting answers to these questions, and their interpretations bear upon wider debates in historical, cultural, and comparative studies.
The biography and writings of Ho Nansorhon (1563?1589), one of the finest poets of the entire Choson dynasty, who wrote during the Golden Age of Sino-Korean poetry. This period also witnessed the Confucianization of Korean society, when government-imposed sanctions greatly restricted the lives of Korean women, particularly those of the ruling class (yangban) to which Nansorhon belonged. Disillusioned by Confucian values, she drew inspiration from Taoism and humanism. Taoist belief in transcendent immortals (son), is a strong influence in her work. Inspired by a fantasy of shedding worldly shackles, her poetry flies beyond the stifling universe to the world of the immortals. Includes 53 poems and one prose piece with commentary, notes and poetic form in charts, together with the original Sino-Korean text.