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Scholars have associated Calvinism with print and literary cultures, with republican, liberal, and participatory political cultures, with cultures of violence and vandalism, enlightened cultures, cultures of social discipline, secular cultures, and with the emergence of capitalism. Reflecting on these arguments, the essays in this volume recognize that Reformed Protestantism did not develop as a uniform tradition but varied across space and time. The authors demonstrate that multiple iterations of Calvinism developed and impacted upon differing European communities that were experiencing social and cultural transition. They show how these different forms of Calvinism were shaped by their adherents and opponents, and by the divergent political and social contexts in which they were articulated and performed. Recognizing that Reformed Protestantism developed in a variety of cultural settings, this volume analyzes the ways in which it related to the multi-confessional cultural environment that prevailed in Europe after the Reformation.
With the advent of the reformation, concepts of living and dying were profoundly reconfigured. As purgatory disappeared from the spiritual landscape, other paths to the afterlife were rediscovered. Thus, when life draws to a close, the passage to the afterlife becomes a last pilgrimage, a popular early modern metaphor that has received little critical commentary. In a rigorous historical and theological reading, Cyril L. Caspar explores five major English poets – John Donne, Sir Walter Raleigh, George Herbert, Edmund Spenser, and John Milton – to unveil the poetical potential of the last pilgrimage as a life-transcending metaphor.
Authority and accessibility combine to bring the history and the drama of Tudor England to life. Almost 900 engaging entries cover the life and times of Henry VIII, Mary I, Elizabeth I, William Shakespeare, and much, much more. Written for high school students, college undergraduates, and public library patrons—indeed, for anyone interested in this important and colorful period—the three-volume Encyclopedia of Tudor England illuminates the era's most important people, events, ideas, movements, institutions, and publications. Concise, yet in-depth entries offer comprehensive coverage and an engaging mix of accessibility and authority. Chronologically, the encyclopedia spans the period fro...
Includes section "Book reviews".
This collection of essays traces the representation of nationalism in a number of literary texts, ranging from the poems of Sir Thomas Wyatt written at the court of Henry VIII to the plays of Tom Murphy written in Ireland in the 1980s. These essays have been conceived in honor of Philip Edwards, whose "Threshold of a Nation: Studies in English and Irish Drama" (1979) explored the inter-relations between ideas of drama and ideas of nationhood or national identity in the age of Shakespeare and in the age of Yeats. They focus mainly on these two periods and on the troubled interaction between English and Irish nationalism, but Cowper, Coleridge, Byron and Strindberg are also featured. The writers discussed, whether they are ostensibly celebrating the innocent early days of English imperialism, reacting to the French Revolution and the rise and fall of Napoleon, or doggedly rewriting the story of "National Question" in Ireland, include those who are attracted by the glamour of nationalism and eager to participate in its rhetoric as well as those who are sceptical, cynical, even hostile. Nationalism can enter literature as panegyric or elegy, tragedy or farce.
"Of interest to both literary scholars and scholars of church history and homiletics, Milton and the Preaching Arts also surveys sermons and sermon manuals, Bible commentaries, and works of religious controversy on the issues of English church government and scriptural style."--BOOK JACKET.