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Gender in Solomon's Song of Songs
The thesis shows that the Song of Songs can be read as a circular sequence of sub-poems, that follow logically from one another if they are understood as contributing to two main points, made in a woman's voice. The woman urges men to take romantic initiative to be committed exclusively and for life, and urges women three times to wait until they are approached by such men. If this reading is the best explanation of the text of the Song, then the Song is a unified work centered on a woman singing about human romantic love from a woman's perspective.
Creating Gender in the Garden
Winner of the 2023 ANZATS Award for the Best Monograph by an Emerging Scholar What can explain the persistence of gender inequality throughout history? Do narratives such as the Eden story explain that dissymmetry or contribute to it? This book suggests that the Hebrew Bible began and has sustained a rich conversation about sex and gender throughout its life. A literary study of the Garden of Eden story reveals a focus on the human partnership as integral to the divine creation project. Texts from other Hebrew Bible genres build a picture of robust and flexible partnerships within a patriarchal framework. In popular culture, Eve still carries the stench of guilt while Adam, seemingly unscath...
Early Jewish Writings
New from the Bible and Women Series This collection of essays deals with aspects of women and gender relations in early Judaism (during the Persian, Greek, and Roman empires). Some essays focus on specific writings: the Greek (Septuagint) version of Esther, Judith, Joseph and Aseneth, and the Letter of Jeremiah. Others explore how certain biblical texts are reinterpreted: Eve in the Life of Adam and Eve, the mixing of the sons of God with the daughters of men from Genesis 6:1–4, the Egyptian princess at the birth of Moses, and how Josephus retells biblical stories. The third group of essays explore specific social contexts: Philo's views of women in the Roman empire, the Sectarian Dead Sea Scrolls, and women philosophers of the Therapeutae in Egyptian Alexandria. Features An International team of contributors from Europe and North America A breadth of materials covered, including many lesser-known early Jewish writings Focus is on a gendered perspective and gender specific questions
The Greek Life of Adam and Eve
For the first time, Jack Levison offers the English-speaking world a comprehensive commentary on the Greek Life of Adam and Eve, an epic of pain, death, and hope. An exhaustive introduction clarifies issues of literary character, manuscripts and versions, and provenance; the commentary itself provides rich discussions of the Greek text, illuminated by Jewish scripture and ancient Greek and Hebrew literature. Fresh translation and bibliography.
On Femininities in the Song of Songs and Beyond
Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: “the most beautiful woman”. Arbel treats “the most beautiful woman” as a culturally constructed and performed representation of “woman,” and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes “womanhood” as dynamic a...
Imitatio Ezechielis: The Irregular Grammar of Revelation Reconsidered
Revelation contains the most unusual Greek written in the ancient world. In Imitatio Ezekechielis, Best makes a unique contribution by arguing that the irregular Greek is due to John’s imitation of the nature of the grammar found in the inaugural vision of his prophetic exemplar, Ezekiel. The wide-ranging and multidisciplinary argument draws on Greek and Hebrew linguistics, ancient rhetoric, mimesis criticism, and Jewish merkabah mysticism.
Material Culture and Women's Religious Experience in Antiquity
How can material artifacts help illuminate the religious lives of women in antiquity? In what ways do archaeological and art historical studies recover women’s religious perspectives and experiences that the literary record misses or underrepresents? The authors of the essays in this volume set out to answer such questions in fascinating, new case studies of women and ancient religions in the Near East and Mediterranean world. They cover a broad historical, geographic, and religious spectrum as they explore women’s lives from the time of ancient Egypt in the second millennium BCE into the early medieval period, from the Syrian Desert to Western Europe, in the religious traditions of Egypt, Canaan, Greece, Rome, ancient Israel, early Judaism, and early Christianity. Working at the intersections of religion, archaeology, art history, and women’s history, these authors make fresh contributions to interdisciplinary studies, and their essays will be of interest to students and scholars across these academic fields.
Experientia
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Divine Manifestations in the Slavonic Pseudepigrapha
This volume explores the formative theophanic patterns found in pseudepigraphical writings as 2 Enoch, Apocalypse of Abraham, and the Ladder of Jacob where the visual tradition of the divine Form and the aural tradition of the divine Name undergo their creative conflation and thus provide the rich conceptual soil for the subsequent elaborations prominent in later patristic and rabbinic traditions. The visionary and aural traditions found in the Slavonic pseudepigrapha are especially important for understanding the evolution of the theophanic trends inside the eastern Christian environment where these Jewish apocalyptic materials were copied and transmitted by generations of monks.
Forming Femininity in Antiquity
Vita Daphna Arbel investigates depictions of the emblematic Eve that are embedded in one of the most influential accounts of Adam and Eve after the Hebrew Bible, namely the apocryphal Greek Life of Adam and Eve (GLAE) from late antiquity.
