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This book explores (mis)representations of two female claimants to the Tudor throne, Lady Jane Grey and Mary I of England. It places Jane's attempted accession and Mary I's successful accession and reign in comparative perspective, and illustrates how the two are fundamentally linked to one another, and to broader questions of female kingship, precedent, and legitimacy. Through ten original essays, this book considers the nature and meaning of mid-Tudor queenship as it took shape, functioned, and was construed in the sixteenth century as well as its memory down to the twenty-first, in literary, musical, artistic, theatrical, and other cultural forms. Offering unique comparative insights into Jane and Mary, this volume is a key resource for researchers and students interested in the Tudor period, queenship, and historical memory.
This study considers sixteenth century evangelicals' vision of a ›godly‹ commonwealth within the broader context of political, religious, social, and intellectual changes in Tudor England. Using the clergyman and bestselling author, Thomas Becon (1512–1567), as a case study, Brian L. Hanson argues that evangelical views of the commonwealth were situation-dependent rather than uniform, fluctuating from individual to individual. His study examines the ways commonwealth rhetoric was used by evangelicals and how that rhetoric developed and changed. While this study draws from English Reformation historiography by acknowledging the chronology of reform, it engages with interdisciplinary tex...
Many of the stars of silent westerns were young horse wranglers who left the open fields to make extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. More than 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Art Acord, Broncho Billy Anderson, Harry Carey, Fred Cody, Bob Custer, Jack Daugherty, William Desmond, William Duncan, Dustin Farnum, William Farnum, Hoot Gibson, Neal Hart, William S. Hart, Jack Holt, Jack Hoxie, Buck Jones, J. Warren Kerrigan, George Larkin, Leo Maloney, Ken Maynard, Tim McCoy, Tom Mix, Pete Morrison, Jack Mower, Jack Perrin, William Russell, Bob Steele, Fred Thompson, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with more than 300 movie stills.
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Richard Tullis (1794-1856) was born in Bedford County, Virginia, the son of John Tullis and Sarah Morlan. He married Rachel Barrett (1800- 1856) in 1817. They had twelve children. The surname is variously spelled as Tullos, Tullys, and Tulloss.
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Long before sound became an essential part of motion pictures, Westerns were already an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their roads to film success began.Over one thousand of these once-silent Western players are featured in this encyclopedia work. The actors are listed alphabetically by last name, and each entry includes a detailed biography, covering both personal and professional milestones in the performer's life. Also included for each actor is a complete Western filmography. The biographies are preceded by a foreword by Diana Serra Cary (formerly the child star Baby Peggy), who performed with many of those included in this dictionary. Full indexing is included.
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Faculties, publications and doctoral theses in departments or divisions of chemistry, chemical engineering, biochemistry and pharmaceutical and/or medicinal chemistry at universities in the United States and Canada.