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Tamil
Spoken by eighty million people, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue. David Shulman presents a comprehensive cultural history of Tamil, emphasizing how its speakers and poets have understood the unique features of their language over its long history.
Earth as Lamp
On central techniques and topics within the self-transforming world of Sanskrit poetry (always in relation to the Prakrits.
Freedom and Despair
Lately, it seems as if we wake up to a new atrocity each day. Every morning is now a ritual of scrolling through our Twitter feeds or scanning our newspapers for the latest updates on fresh horrors around the globe. Despite the countless protests we attend, the phone calls we make, or the streets we march, it sometimes feels like no matter how hard we fight, the relentless crush of injustice will never abate. David Shulman knows intimately what it takes to live your beliefs, to return, day after day, to the struggle, despite knowing you are often more likely to lose than win. Interweaving powerful stories and deep meditations, Freedom and Despair offers vivid firsthand reports from the occup...
Siva's Saints
In Siva's Saints, Gil Ben-Herut challenges common notions about the Virasaiva tradition in its nascent phases. By closely reading the saints' stories in this text, Siva's Saints takes a more nuanced historical view than commonly-held notions about the egalitarian and iconoclastic nature of the early tradition, arguing instead that early bhakti (devotionalism) in the Kannada-speaking region was less-radical and more accommodating toward traditional religious, social, and political institutions than thought of today.
Text and Tradition in South India
Essays on Telugu and South Indian literature and culture by distinguished Telugu scholar Narayana Rao. Velcheru Narayana Raos contribution to understanding Indian cultural history, literary production, and intellectual lifespecifically from the vantage of the Andhra regionhas few parallels. He is one of the very rare scholars to be able to reflect magisterially on the precolonial and colonial periods. He moves easily between Sanskrit and the vernacular traditions, and between the worlds of orality and script. This is because of his mastery of the classical Telugu tradition. As Sanjay Subrahmanyam puts it in his Introduction, To command nearly a thousand years of a literary tradit...
Portraiture in South Asia since the Mughals
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended ...
Dark Hope
For decades, we’ve been shocked by images of violent clashes between Israelis and Palestinians in the West Bank and Gaza. But for all their power, those images leave us at a loss: from our vantage at home, it’s hard for us to imagine the struggles of those living in the midst of the fighting. Now, American-born Israeli David Shulman takes us right into the heart of the conflict with Dark Hope, an eye-opening chronicle of his work as a member of the peace group Ta‘ayush, which takes its name from the Arabic for “living together.” Though Shulman never denies the complexity of the issues fueling the conflict—nor the culpability of people on both sides—he forcefully clarifies the i...
Spring, Heat, Rains
“Rocks. Goats. Dry shrubs. Buffaloes. Thorns. A fallen tamarind tree.” Such were the sights that greeted David Shulman on his arrival in the South Indian state of Andhra Pradesh in the spring of 2006. An expert on South Indian languages and cultures, Shulman knew the region well, but from the moment he arrived for this seven-month sojourn he actively soaked up such simple aspects of his surroundings, determined to attend to the rich texture of daily life—choosing to be at the same time scholar and tourist, wanderer and wonderer. Lyrical, sensual, and introspective, Spring, Heat, Rains is Shulman’s diary of that experience. Evocative reflections on daily events—from explorations of ...
Aryan and Non-Aryan in India
The history and mechanisms of the convergence of ancient Aryan and non-Aryan cultures has been a subject of continuing fascination in many fields of Indology. The contributions to Aryan and Non-Aryan in India are the fruit of a conference on that topic held in December 1976 at the University of Michigan, Ann Arbor, under the auspices of the Center for South and Southeast Asian Studies. The express object of the conference was to examine the latest findings from a variety of disciplines as they relate to the formation and integration of a unified Indian culture from many disparate cultural and ethnic elements.
More than Real
From the late fifteenth to the eighteenth centuries, the imagination came to be recognized in South Indian culture as the defining feature of human beings. Shulman elucidates the distinctiveness of South Indian theories of the imagination and shows how they differ radically from Western notions of reality and models of the mind.
