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This book delivers an innovative critical approach to better understand U.S. fiction of the information age, and argues that in the last eighty years, fiction has become increasingly concerned with its representations of mathematical ideas, images, and practices. In so doing, this book provides a fuller, transnational account of the place of mathematics in understanding mathematically informed novels. Literature and science studies have acknowledged and situated historical points of cultural crossover; by emphasising mathematics within this larger intellectual context – and not as an unlikely and alien adjunct to post-war culture – this monograph clarifies how mathematically informed postmodern fictions work in a cognate fashion to other fields undergoing structuralist revolutions. This is especially evident in fiction by the key, mathematically-literate Postmodern authors upon whom this study focuses, namely, Thomas Pynchon, Don DeLillo, and David Foster Wallace, through which recent the technological revolutions, facilitated by mathematics, manifest in cultural discourse.
After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world’s peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
"Contributed by ten distinguished scholars, [...] the essays in this volume address medieval constructions in gender and identity. Sharing an interest in women and identity formation, these essays range through time, covering the period from the tenth through the fifteenth century, and across languages, discussing sources in Latin, Italian, French, Occitan, English, and Hebrew. They range also through a variety of cultural settings: from nunneries in Germany, Italy, France, and England to a Jewish community in France; from the Provence of the troubadours and the England of Chaucer to the Florentine scribal circles in which Dante's 'Vita nuova' was copied. Joan M. Ferrante's pioneering contribution to the history of women and their representation is a connecting thread through this volume of essays commissioned in her honor." --