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Fantastic Reality
A critical study of Louise Bourgeois's art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.
Imagining the Future of the Museum of Modern Art
Edited by John Elderfield. Introduction by Glenn D. Lowry.
Transformative Objects and the Aesthetics of Play
This book considers the sculpture of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative work Bourgeois produced from 1947 to 2000. Critical concepts from British object relational theories destruction, reparation, integration, relationality and play drawn from the writings of Winnicott, Melanie Klein, Marion Milner, and Christopher Bollas, among others, bear upon the decades-long study of psychoanalysis Bourgeois brought to her sculptural production that was symbolic, metaphorical, and most importantly, usefu...
After the Revolution
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
Beyond the Visible: The Art of Odilon Redon
Caught between description and dream, the felt and the imagined, French artist Odilon Redon, whose career bridged the 19th and 20th centuries, transformed the natural world into nightmarish visions and bizarre fantasies. Closely allied with the Symbolist movement, Redon offered his own interpretations of literary, biblical, and mythological subjects; created a universe of strange hybrid creatures; and presented landscape in a singular way: we see grinning disembodied teeth, smiling spiders, melancholic floating faces, winged chariots, unfamiliar plant life, and velvety black or colored swirls of atmosphere. With a recent gift from the Ian Woodner family, The Museum of Modern Art is now the site of the most significant body of the artist's work outside France, and this book will showcase the full range of Redon's varied oeuvre--charcoal "noirs," luminous pastels, richly textured canvases, literary collaborations, and experiments in printmaking--and will illuminate the hold his particular kind of modernism has had on both 20th-century and contemporary artists.
Modern Women: Women Artists at The Museum of Modern Art
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Parkett
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Jean Charles Blais
"Ce catalogue présente les oeuvres les plus connues de l'artiste mais aussi ses créations récentes : silhouettes à l'encre noire, corps et paysages tracés au hasard des affiches déchirées, formes indéfinies projetées sur un écran, etc. Avec un entretien de l'artiste par le commissaire de l'exposition. Dessin inédit réalisé pour la couverture."--[Memento].
Louise Bourgeois
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The New Criterion
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