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From the girl in Red Cloud who oversaw the construction of a miniature town called Sandy Point in her backyard, to the New Woman on a bicycle, celebrating art and castigating political abuse in Lincoln newspapers, to the aspiring novelist in New York City, committed to creation and career, Daryl W. Palmer’s groundbreaking literary biography offers a provocative new look at Willa Cather’s evolution as a writer. Willa Cather has long been admired for O Pioneers! (1913), Song of the Lark (1915), and My Ántonia (1918)—the “prairie novels” about the lives of early Nebraska pioneers that launched her career. Thanks in part to these masterpieces, she is often viewed as a representative o...
A collection of new essays establishes women's voices as a powerful presence in US nature writing.
The colonialist West has spoken for New Mexico since 1540 when Francisco Vasquez de Coronado traveled to Acoma Pueblo in his search for the legendary cities of gold. With the Spanish incursion, followed fifty-six years later by the first English-speaking colonists in New Mexico, began the representation of New Mexico from an outsider's perspective. The colonial West imagined itself to hold central claims to knowledge, so it knew its peripheries only as it encountered and articulated their presence to itself. This Western narrative, based on an imagined Western privilege to foundational or platonic knowledge, has become the dominant Euro-American discourse through which New Mexico has come to...
Contains nearly 6000 entries that provide a bibliography of interpretations for short stories published between 1989 and 1990.
Taking their cue from Perry Miller's early definition of America as 'Nature's Nation', the essays collected in this volume offer critical reconsiderations of the manifold ways in which, over time, different concepts of 'nature' have affected US attitudes towards the land Americans have explored, settled, cultivated, exploited and, more recently, also begun to protect. Scholars from Europe and North America approach the topic from a wide range of disciplines -- history, literature, popular culture, religion, social and economic geography, film studies, ethnic studies, philosophy, ethics, gender and sexuality studies, and Native American studies. Conjointly the thirty-five essays re-examine the infinite manifestations of 'nature' in US culture, politics and society, from practices of gardening, strip-mining, farming and urban planning, to forms of environmentalist activism and representations of 'nature' and nationality in literature, film, art and ideology. In addition, they explore the possibilities of newer approaches -- eco-criticism, eco-theology, eco-feminism, 'eco-queer' studies and transnational perspectives -- within the interdisciplinary domain of American studies.
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.