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On the Edge
  • Language: en
  • Pages: 488

On the Edge

SHORTLISTED FOR THE ONSIDE NONFICTION BOOK OF THE YEAR 2018 The islands off the coast of Ireland have long been a source of fascination. Seen as repositories of an ancient Irish culture and the epitome of Irish romanticism, they have attracted generations of scholars, artists and filmmakers, from James Joyce to Robert O'Flaherty, looking for a way of life uncontaminated by modernity or materialism. But the reality for islanders has been a lot more complex. They faced poverty, hardship and official hostility, even while being expected to preserve an ancient culture and way of life. Writing in her 1936 autobiography, Peig Sayers, resident of Blaskets island, described it as 'this dreadful rock...

A Nation and not a Rabble
  • Language: en
  • Pages: 472

A Nation and not a Rabble

Packed with violence, political drama and social and cultural upheaval, the years 1913-1923 saw the emergence in Ireland of the Ulster Volunteer Force to resist Irish home rule and in response, the Irish Volunteers, who would later evolve into the IRA. World War One, the rise of Sinn Féin, intense Ulster unionism and conflict with Britain culminated in the Irish war of Independence, which ended with a compromise Treaty with Britain and then the enmities and drama of the Irish Civil War. Drawing on an abundance of newly released archival material, witness statements and testimony from the ordinary Irish people who lived and fought through extraordinary times, A Nation and not a Rabble explores these revolutions. Diarmaid Ferriter highlights the gulf between rhetoric and reality in politics and violence, the role of women, the battle for material survival, the impact of key Irish unionist and republican leaders, as well as conflicts over health, land, religion, law and order, and welfare.

The Golden Thread
  • Language: en
  • Pages: 264

The Golden Thread

This two-volume edited collection covers three hundred years of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Volume Two looks at the period from 1992 to 2016, exploring women's experiences at the intersections of class, sexuality, disability and ethnicity.

The Irish Famine
  • Language: en
  • Pages: 91

The Irish Famine

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The Irish Attack on Christianity - The Case for the Defence
  • Language: en
  • Pages: 330

The Irish Attack on Christianity - The Case for the Defence

During the biggest scandal ever in Irish history, feminists attacked women, the Irish attacked the Irish, the politicians attacked the electorate, and all sides attacked Christianity. They accused Christian women of killing hundreds of babies and of perpetrating a holocaust. The allegations are not true, but many people believe them despite the overwhelming evidence to the contrary. Why should the Irish nation have behaved in such a way? What purpose was served in falsely scapegoating religious women? Why did they attack their mothers, grandmothers, and all their relations, accusing them of the full gamut of reprehensible behaviour from ignorance to holding ‘a perverse religious morality...

The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters
  • Language: en
  • Pages: 444

The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters

This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

Hegemony and Fantasy in Irish Drama, 1899-1949
  • Language: en
  • Pages: 273

Hegemony and Fantasy in Irish Drama, 1899-1949

  • Type: Book
  • -
  • Published: 2015-12-04
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  • Publisher: Springer

Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.

The Transformation Of Ireland 1900-2000
  • Language: en
  • Pages: 897

The Transformation Of Ireland 1900-2000

A ground-breaking history of the twentieth century in Ireland, written on the most ambitious scale by a brilliant young historian. It is significant that it begins in 1900 and ends in 2000 - most accounts have begun in 1912 or 1922 and largely ignored the end of the century. Politics and political parties are examined in detail but high politics does not dominate the book, which rather sets out to answer the question: 'What was it like to grow up and live in 20th-century Ireland'? It deals with the North in a comprehensive way, focusing on the social and cultural aspects, not just the obvious political and religious divisions.

Farming in Modern Irish Literature
  • Language: en
  • Pages: 251

Farming in Modern Irish Literature

Explores the various ways in which the farm and farming have been represented in Irish writing in the period of Independence and Partition after 1922.

What If?
  • Language: en
  • Pages: 288

What If?

  • Type: Book
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  • Published: 2006
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  • Publisher: Gill Books

History did not have to work out the way it actually did. Ferriter looks at twenty events in twentieth-century Irish life and wonders how they might have been different: What if Joyce and Beckett had stayed in Ireland? What if Britain had blocked Irish immigration in the 1950s? What if there had been no 'Late Late Show'?