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Umar Ibn al-Fāriḍ (1181–1235), author of two classic works, the Wine Ode and the Poem of the Sufi Way, is considered the greatest Sufi poet to write in Arabic. In this study, these and other poems by Ibn al-Fāriḍ are considered within the context of Islamic mysticism, Arabic literature, and Sufi poetry. Th. Emil Homerin uncovers the literary and religious intent of these poems and their aesthetic and mystical content, showing them to be a type of meditative poetry. Indeed, Ibn al-Fāriḍ often alludes to the Sufi practice of "recollection," or meditation on God, to evoke a view of existence in which the seeker may be transformed by an epiphany of love revealing an intimate relationship to the divine beloved. Homerin provides elegant translations and close readings of Ibn al-Fāriḍ's poetry, highlighting the beauty of his verse, its moods, meanings, and significance within Islamic mysticism and Arabic poetry, where Ibn al-Fāriḍ is still known as the "Sultan of the Lovers."
After the imposition of Gregorian chant upon most of Europe by the authority of the Carolingian kings and emperors in the eighth and ninth centuries, a large number of repertories arose in connection with the new chant and its liturgy. Of these repertories, the tropes, together with the sequences, represent the main creative activity of European musicians in the ninth, tenth, and eleventh centuries. Because they were not an absolutely official part of the liturgy, as was Gregorian chant, they reflect local traditions, particularly in terms of melody, and more so than the new pieces that were composed at the time. In addition, the earlier layers of tropes represent, in many cases, a survival of the pre local pre Gregorian melodic traditions. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography and constitutes a classic reference resource for the study of one of the most important musico-liturgical genres of the central middle ages.
Curriculum guide for use with the author's Nate Saint, on a wing and a prayer.
Book Summary It happens in Vietnam and what better place for it to happen.
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" Out There in the Dark is an old school Hollywood blockbuster. . . . A terrific, grab-you-by-the-throat movieland epic." ---Jerry Stahl, author of Permanent Midnight Since leaving Berlin, the proud, distinguished émigré director Dieter Seife has had to content himself cranking out B movies for Superior Pictures in Hollywood during World War II. Finally, Superior's founder, Arthur Lustig, gives Seife the chance to prove himself on a lavish, three-hankie "woman's picture" titled The Big Betrayal. Set to star is Harley Hayden, the young (and 4-F) actor who's engaged to Lustig's daughter. Though the town's biggest names are in uniform, Seife is convinced he can find a better male lead for his movie. Hayden counters by hiring a disgraced ex-cop named Roarke to look into Seife's private life---does the secretive German have something to hide? What Roarke uncovers is dangerous, disturbing . . . and, maybe, a very different mystery than it seems. With its atmosphere of lockstep patriotism and rampant paranoia, Wesley Strick's Out There in the Dark provocatively speaks to our own time even as it brings to life the sordid side of 1940's Hollywood.
This work presents Muslim beliefs about God's relationship to humans by drawing on relevant Islamic sources. In connection with the social and political history of Islam, the reader is introduced to the ideas and concepts of Islamic theologians.
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