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Monarchy, Nation and the Common Good: Patriotism in Prussia, 1756–1806
This book provides a history of Prussian state patriotism from the Seven Years’ War (1756–1763) until the Battle of Jena (1806). It argues that Prussian patriotism was not merely a prelude to German nationalism or a personality cult of Frederick the Great; rather, it was an inclusive and non-ethnic movement promoting ideals of citizenship, merit, and empowerment. Appealing to patriotism became a central method of promoting reform in a state governed by an absolute monarchy. Covering a turning point in early modern European intellectual history, this book provides a historical perspective for modern discussions on the relationship between patriotism and nationalism.
Object Lessons
Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World examines the ways material things--objects and pictures--were used to reason about issues of morality, race, citizenship, and capitalism, as well as reality and representation, in the nineteenth-century United States. For modern scholars, an "object lesson" is simply a timeworn metaphor used to describe any sort of reasoning from concrete to abstract. But in the 1860s, object lessons were classroom exercises popular across the country. Object lessons helped children to learn about the world through their senses--touching and seeing rather than memorizing and repeating--leading to new modes of classifying and comprehending material evidence drawn from the close study of objects, pictures, and even people. In this book, Sarah Carter argues that object lessons taught Americans how to find and comprehend the information in things--from a type-metal fragment to a whalebone sample. Featuring over fifty images and a full-color insert, this book offers the object lesson as a new tool for contemporary scholars to interpret the meanings of nineteenth-century material, cultural, and intellectual life.
Painting the Sacred in the Age of Romanticism
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief and provides a rich account of the theory and practice of religious representation in nineteenth-century art.
Deutsche Lieder für Jung und Alt
x + 244 pp.
The Scholarship Book, 13th Edition
This comprehensive guide to private-sector scholarships, grants, and loans gives students essential tips for determining which awards they qualify for, helps them write winning essays and cover letters, and provides useful lists of recommended Web sites and publications.
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