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The Transcultural Turn
This edited collection makes a progressive intervention into the interdisciplinary field of memory studies with a series of essays drawn from diverse theoretical, practitional and cultural backgrounds. The most seminal critical development within memory studies in recent years has arguably been the turn towards transculturalism. This movement engenders a series of methodologies that posit remembrance as a fluid process in which commemorative tropes work to inform the representation of diverse events and traumas beyond national or cultural boundaries, transcending – but not negating – spatial, temporal and ideational differences. Examining a wide range of historical and cultural contexts, the essays in this collection focus on the dialogues that shape processes of remembrance between and beyond borders, critiquing the problems and possibilities inherent in current discourses in memorial practice and theory as they approach the challenge of transculturalism.
Anne Duden: a Revolution of Words
Anne Duden's reputation as one of the most innovative writers of her generation, established in 1982 with the experimental stories in Übergang, was confirmed in 1985 by Das Judasschaf, a novel interweaving an individual's anguish with the cultural trauma of the German past. In her acclaimed poem cycles Steinschlag (1993) and Hingegend (1999) Duden pushes the limits of language in densely metaphoric evocations of landscapes and places of political and personal remembrance, mixing lament for ruined nature with grotesque comedy, mystic vision with horror. Duden is a distinguished practitioner of short forms. Her essays display the same intense engagement with the visual arts as informs her nar...
Cemetery of the Murdered Daughters
Austrian writer Ingeborg Bachmann is widely regarded as one of the most important 20th century authors writing in German. This book examines her poetry and prose in historical context, arguing that the feminist interpretations of her writings are the result of shifts in theoretical emphases over a period of three decades.
German Narratives of Belonging
Since unification, German culture has experienced a boom in discourses on generation, family and place. Linda Shortt reads this as symptomatic of a wider quest for belonging that mobilises attachment to counter the effects of post-modern deterritorialisation and globalisation. Investigating twenty-first century narratives of belonging by Reinhard Jirgl, Christoph Hein, Angelika Overath, Florian Illies, Juli Zeh, Stephan Wackwitz, Uwe Timm and Peter Schneider, Shortt examines how the desire to belong is repeatedly unsettled by disturbances of lineage and tradition. In this way, she combines an analysis of supermodernity with an enquiry into German memory contests on the National Socialist era, 1968 and 1989 that continue to shape identity in the Berlin Republic. Exploring a spectrum of narratives that range from agitated disavowals of place to romances of belonging, this study illuminates the topography of belonging in contemporary Germany.
Cultural Exchange in German Literature
The influence of foreign cultures on German literature and other cultural productions since the 18th century. The Edinburgh German Yearbook is devoted to German Studies in an international context. It publishes original English- and German-language contributions on a wide range of topics from scholars around the world. Each volumeis based on a single broad theme: the first includes papers from the highly successful conference Kennst du das Land: Cultural Exchange in German Literature, held in Edinburgh in December 2006, supplemented by additional essays. The conviction that German culture and the German spirit are triumphantly unique has played a notorious role in Germany's history. It is no...
Enacting Past and Present
Through a discussion of Walter Benjamin, Sigmund Freud, Mieke Bal and others, author Michaela Grobbel focuses on the work three women authors as types of performance which lead to re-presentations of memory. These women writers foreground the present but also critically demonstrate the complex relationship of the present to the past. Grobbel's work is a critical addition to any discussion of feminism, memory and literary modernism.
Critical Time in Modern German Literature and Culture
The fleeting nature of time is a defining feature of modern and postmodern existence. This volume engages with the critical sense of time in German culture, exploring the importance of temporality for artistic and literary production since c. 1800. Topics include time and space in art, the politics of time and memory, and the poetics of time.
Friedrich Spielhagen
The once nationally and internationally prominent realist Friedrich Spielhagen (1829-1911) was decanonized and driven to the periphery of literary history in his own lifetime. Since then critical interest has ben sporadic and has often reflected the negative judgment passed on him by gatekeepers and tastemakers of his own time. Except for a very few specialists, most scholars have concentrated on his obsessively propagated >objectiveVormärz ideals of freedom and democracy, while being driven, somewhat against his will, in the direction of Social Democracy and the harsher realism of such French writers as Emile Zola. Special attention is given to a number of thematic centres, such as the aristocracy; class identity, liberalism, and Social Democracy; the military and the dueling ethos; Jews; America; women and love; and his agonized engagement with the contemporary French novel.
If We Had the Word
Ingeborg Bachmann (1926-1973) was one of the most significant post-war women writers in German language literature and remains one of the most important writers of our time. Over thirty years after her death, her work continues to attract the critical attentions of a wide general readership as well as scholars from many different disciplines, not least because her poems, short stories, critical essays, radio plays and novels deal with issues that continue to haunt contemporary culture: history, gender, exile, war, memory and the Holocaust. A poet, writer and trained philosopher, Bachmann relentlessly proved what she believed was the potential of language and writing to raise awareness and effect change in a culture marked by violence against women, individual and collective trauma, the effacement of memory, the forgetting of atrocities, and the silencing of victims. The multifaceted, interdisciplinary approaches to Ingeborg Bachmann's work make this collection appealing and relevant to both critics and scholars of Ingeborg Bachmann and to everyone interested in critical theory and contemporary culture.
