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This volume contains selected papers presented at a conference on Orthodox Christianity and its contemporary European setting. The conference was held in England, at the University of Leeds, in June 2001 and drew together historians, theologians, philosophers, specialists in theological education and political scientists. Countries with an Orthodox Christian history were well represented, as well as Orthodoxy in the diaspora and other Christian confessions by representatives from Western Europe and the United States and Canada. The coherence of Orthodox Christianity and contemporary threats to its coherence formed one main strand for reflection, but discussion also broadened out to consider ...
This edited volume explores the historical, cultural and literary legacies of Polish Britain, and their significance for both the British and Polish nations. The focus of the book is twofold. First, it investigates the history of Polish immigration and the ways in which Polish immigrants have conceptualised their own experiences and encounters with Britain and the British. Second, it examines how Poles and Poland have been represented by Anglophone writers in both fictional and non-fictional forms of discourse. Inevitably, these issues are intertwined. Polish experiences of Britain have been shaped, in part, by British ideas about Poland, just as British notions of Poland have been transformed by the emergence of large and culturally active Polish communities in the UK. By studying these issues together, this volume develops a wide-ranging and original analysis of Polish Britain.
This volume emerged from the conference "Polish Literature Since 1989" held at the University College London School of Slavonic and East European Studies. It shows how the profound political and economic transformation that has taken place in Poland since the end of communism in 1989 has affected literary culture and literary scholarship, such as: changing conceptions of Polish nationhood and identity * the impact of European integration (since 2004) * the effects of migration * revised conceptions of the foreign or the marginal, and new understandings of what is understood by emigre or emigrant literature * sensitivity to issues of gender and sexual identity, as well as the impact of feminism and queer studies * the huge impact of revived interest in the Jewish heritage, in Holocaust memory, and in Polish-Jewish relations. (Series: Polonistik im Kontext - Vol. 2)
Eastern Europeans in Contemporary Literature and Culture: Imagining New Europe provides a comprehensive study of the way in which contemporary writers, filmmakers, and the media have represented the recent phenomenon of Eastern European migration to the UK and Western Europe following the enlargement of the EU in the 21st century, the social and political changes after the fall of communism, and the Brexit vote. Exploring the recurring figures of Eastern Europeans as a new reservoir of cheap labour, the author engages with a wide range of both mainstream and neglected authors, films, and programmes, including Rose Tremain, John Lanchester, Marina Lewycka, Polly Courtney, Dubravka Ugrešić, Kapka Kassabova, Kwame Kwei-Armah, Mike Phillips, It’s a Free World, Gypo, Britain’s Hardest Workers, The Poles are Coming, and Czech Dream. Analyzing the treatment of Eastern Europeans as builders, fruit pickers, nannies, and victims of sextrafficking, and ways of resisting the stereotypes, this is an important intervention into debates about Europe, migration, and postcommunist transition to capitalism, as represented in multiple contemporary cultural texts.
Postcolonial studies is a well-established academic field, rich in theory, but it is based mostly on postcolonial experiences in former West European colonial empires. This book takes a different approach, considering postcolonial theory in relation to the former Soviet bloc. It both applies existing postcolonial theory to this different setting, and also uses the experiences of former Soviet bloc countries to refine and advance theory. Drawing on a wide range of sources, and presenting insights and material of relevance to scholars in a wide range of subjects, the book explores topics such as Soviet colonality as co-constituted with Soviet modernity, the affective structure of identity-creation in national and imperial subjects, and the way in which cultural imaginaries and everyday materialities were formative of Soviet everyday experience.
How was the Jewish tradition reinvented in Russian-Jewish literature after a long period of assimilation, the Holocaust, and decades of Communism? The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day. In this period, Jewish literature addresses the reader of the ‘post-human’ epoch, when the knowledge about traditional Jewry and Judaism is received not from the family members or the collective environment, but rather from books, paintings, museums and popular culture. Klavdia Smola explores how contemporary Russian-Jewish literature turns to the traditions of Jewish writing, from biblical Judaism to early-Soviet (anti-)Zionist novels, and how it ‘re-writes’ Haskalah satire, Hassidic Midrash or Yiddish travelogues.
A collection that "eloquently examines the numerous forms of movement from and across Central, Eastern Europe and Russia from a historical perspective" ( Comparative Literature Studies). Combining methodological and theoretical approaches to migration and mobility studies with detailed analyses of historical, cultural, or social phenomena, the works collected here provide an interdisciplinary perspective on how migrations and mobility altered identities and affected images of the "other." From walkways to railroads to airports, the history of travel provides a context for considering the people and events that have shaped Central and Eastern Europe and Russia.
Over the last decade, migration flows from Central and Eastern Europe have become an issue in political debates about human rights, social integration, multiculturalism and citizenship in Great Britain. The increasing number of Eastern Europeans living in Britain has provoked ambivalent and diverse responses, including representations in film and literature that range from travel writing, humorous fiction, mockumentaries, musicals, drama and children's literature to the thriller. The present volume discusses a wide range of representations of Eastern and Central Europe and its people as reflected in British literature, film and culture. The book offers new readings of authors who have influe...
"American quarterly of Soviet and East European studies" (varies).
Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow’s artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia’s “new middle ages,” while remaining steadfast in his dismantling of foreign discourses.