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A Fusion of Horizons
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The Sacred and Profane in English Renaissance Literature
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
A Generic History of Travel Writing in Anglophone and Polish Literature
A Generic History of Travel Writing in Anglophone and Polish Literature offers a comprehensive, comparative and generic analysis of developments of travel writing in Anglophone and Polish literature from the Late Medieval Period to the twenty-first century. These developments are depicted in a wider context of travel narratives written in other European languages. Grzegorz Moroz convincingly argues that, for all the similarities and cross-cultural influences, in the course of the nineteenth and twentieth century non-fiction Anglophone and Polish travel writing have dynamically evolved different generic horizons of expectations. While the Anglophone travel book developed relatively steadily in that period, the Polish genre of the podróż was first replaced by the listy (kartki) z podróży, and then by the reportaż podróżniczy.
Holy Warriors
Kaeuper argues that chivalric ideology of the high and later Middle Ages selectively appropriated religious ideas to valorize the institution of knighthood. He describes how both elite warriors and clerics contributed to a Christian theology that validated the knights' bloody profession.
Sonnet Sequences and Social Distinction in Renaissance England
Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class.
Common Prayer on Common Ground
Responding to the controversy and divisiveness within the Anglican Communion – particularly over the issue of homosexuality – Alan Jones offers a more balanced look at the middle way to be found within Anglican orthodoxy. With its focus on careful listening and prayerful deliberation, Jones’s vision of orthodoxy is the antidote to the anger and bitterness that threatens the Body of Christ today. In this thoughtful volume, Jones takes a look at Anglicanism from four different perspectives – fundamentalism versus modernism, the tired caricature of Anglicanism as “muddled thinking,” as an orientation toward transcendent mystery, and through the eyes of some of Anglicanism’s greatest exemplars.
Humanistica Lovaniensia
Volume 50
Challenging Humanism
Dominic Baker-Smith has been a leading international authority on humanism for more than four decades, specializing in the works of Erasmus and Thomas More. The present collection of essays by colleagues throughout Europe, Canada, and the United States examines humanism in both its historic sixteenth-century meanings and applications and the humanist tradition in our own time, drawing on his work and that of scholars who have followed him. Contributors include Andrew Weiner, Elizabeth McCutcheon, and Germaine Warkentin. Arthur F. Kinney is Thomas W. Copeland Professor of Literary History at the University of Massachusetts, Amherst. Ton Hoenselaars is Associate Professor of English at the University of Utrecht.
The Powys Review
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