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Black Duty
In this heart pounding thriller set in the year leading up to 9/11, James Grant is on the front lines of counterterrorism. James Grant has no one. The way he likes it. As part of a special forces group inside the CIA, all he needs is a gun silencer and a green light. Coming home never bothered him. But when Grant is assigned to a domestic intelligence mission, he meets a whole new set of challenges. Fellow officer, Jia Page, suddenly has him questioning everything. Is she the one to pull him out of the dark cycle? When the mission moves from the desk to the field, Grant has to make a decision. Who knows if he’s coming home.
Mobile Learning Environment (MoLE) Project
The "e;Mobile Learning Environment (MoLE) Project: a global technology initiative"e;, was a two-year project that included e-Learning and medical professionals from academia, commercial, government and NGO representing 24 countries from five continents. It focused on providing training/education in areas with low-bandwidth and limited internet connectivity and infrastructure.This eBook provides readers with -- a comprehensive education and training app that contains six major content categories (i.e., learning, reference library, standards, networking, mission tools, and mission pack);- access to, and use of, the Mobile Learning Environment (MoLE) Project source code for iOS and Android devi...
Pictures to Die For
Journalism at its very best: Noel Young, Sunday Mail, Scotland In search of the worlds greatest stories my hands have held Einsteins brain and Hitlers golden gun. My foot has stepped on the foot of the Queen of England. My body has survived an airliner crash, a submarine accident and beatings after being captured as a spy in Africa. I avoided execution in Syria, Turkey, the Congo and Paraguay. I was ambassador of a country in the South China Sea. In America I faced down the Mafia with a gun in Miami and in Texas convinced the Ku Klux Klan to take off their hoods for the first time. Then I helped change world travel by taking automatic weapons through airport security in many countries without getting caught or shot. (See cover picture) Here is my story. When Laytner got the first and only photograph of the dread terrorist, Carlos the Jackal, Paris Match Picture Editor Michel Sola shouted, We have James Bond working for us! You are not just the James Bond of Journalism. You are also Jason Bourne, Phillip Marlowe, Sherlock Holmes and Colombo. John Wellington, Managing Editor The Mail on Sunday, London
Congressional Record
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Rainbow Drive
Decades after his father's murder, a Los Angeles cop gets a chance to set things right Michael Gallagher is twelve years old when his father is hit by a speeding truck. While crusading for public housing, his father ran afoul of the city's most corrupt politicians, and Michael is certain they were responsible for the crash. As his father is lowered into the ground, Michael vows vengeance—no matter how long it takes. Decades later, Michael, now a police officer, is awakened one night by gunfire. Outside his window, he sees helicopters and squad cars arriving at the scene of the crime. It's a massive operation, but the next day, there is nothing about it in the logbooks. To learn what really happened that night, Michael descends into the black heart of Los Angeles, where he will learn the truth about his father—if he's lucky enough to stay alive.
Cartooning Texas
Cartooning Texas presents a century of this state's history through a craft that is one of the nation's liveliest art forms. Few states have enjoyed as rich a history of political cartooning as the great state of Texas. William Sydney (O. Henry) Porter and his depiction of railroad graft, turn-of-the century Tobe Bateman and his trademark goat, Pulitzer Prize winner Ben Sargent--these cartoonists have helped readers understand what this country's changes would mean to them. Even the first cartoon known to have lampooned native son Lyndon Johnson appears in these pages. Their sometimes humorous, always pointed lines have appeared in the Austin American-Statesman, the Rolling Stone, the Houston Post, the Dallas Morning News, and other state papers. With deft movements of pen across page, they have portrayed the events and personalities that have shaped public life. Lone Star cartoonists have provided a record that will amuse and educate new generations of Texans as well as those who remember the originals. Maury B. Forman and Robert A. Calvert provide context and explanations for each cartoon and overviews of each decade's main developments in the art.
