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This second volume of Theaters and Public Sphere in a Global and Digital Society offers several different case studies in their relationship with society. Also here, the focus is the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfullness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave the meaning of a territory, a context, and a people, but also of the generations who traverse these same cultures. These forms of meaning interact with the social imagery, mediate marginalization, transform barriers into bridges, and are the indispensable tools for any social coexistence and its continuous rethinking in everyday life. Contributors are: Claudio Bernardi, Marco Bernardi, Massimo Bertoldi, Martina Guerinoni, Mara Nerbano, Chiara Pasanisi, Benedetta Pratelli, Roberto Prestigiacomo, Ilaria Riccioni, Daniela Salinas Frigerio, Eleonora Sparano, Emanuele Stochino, Matteo Tamborrino, Tiziana Tesauro, Katia Trifirò, Alessandro Tolomelli, and Andrea Zardi.
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma. Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence thr...
This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters...
Ermanna Montanari: a minute body that grows enormous on stage and a magnetic visage capable of expressing unlimited intensities; a voice that creates stage figures and becomes a musical instrument; an original language that encompasses every type of performance; microscopic precision and the magma of an infancy still vital in the language of dreams and the enigma of her native dialect. Laura Mariani, subtle analyst of theater and memory, portrays Ermanna in the weaving of art and life and in relation to Marco Martinelli, director and playwright and other pole in a complex alchemy. Mariani interrogates the figure of Ermanna through written and visual sources, unpublished notebooks and traces of the process of creation. A narrative journey—biography, portrait of the artist, chronicle of becoming—to examine in detail the raw material of an actress and of theater as it unfolds.
This book analyses the emergence and growth of the creative sector in Naples between the early modern and modern eras, focusing particularly on the development of music markets in the city. From the seventeenth century, Naples became one of the most culturally enriched regions in the Italian peninsula, with internationally known music schools, theatres and opera venues attracting visitors from across Europe in a burgeoning tourist market. This book sheds light on the driving economic factors and political contexts behind this key case study for the early growth of the opera and music sector in Europe. Starting with a discussion of the value of economic history to understanding cultural indus...
Your search for the right word in Italian is over. Stop hunting blindly through ordinary bilingual dictionaries! With 4,000 words, Must-Know Italian gives you the power to be understood in any situation. You'll never be at a loss for words again in the classroom il calcolatore (calculator), il, la supplente (substitute teacher) at the office lo stage (internship), la riunione (meeting) talking about the environment la conservazione (conservation), riciclare (recycle) discussing politics la cittadinanza (citizenship), il broglio elettorale (electoral fraud) shopping l(o)'affare (bargain), la cartina del bancomat (ATM card)
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