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For Him Who Has Eyes to See
Too many Christians are afraid of beauty. This fear disconnects these Christians from their larger culture, a culture that is increasingly visual, increasingly aware of the presence and power of images, and more commonly fascinated by the power of beauty and form. This historical-theological overview presents the thought of ten theologians and one philosopher in an attempt to give Christians helpful vocabulary concerning beauty and aesthetics. It is time to use beauty and aesthetics for the mission of Christ! And yet rather than simply parrot the larger post-Christian culture, Christians and churches need to employ beauty and aesthetics in a manner that echoes God's own revelation: creation and redemption through Jesus Christ. We need to develop a sensitivity that can perceive beauties ignored. We need theological framing that both respects the glory of God's handiwork and keeps it from becoming idolatrous. We need to live with wonder for the bounty that routinely surrounds us. In short, we need eyes to see.
The Oxford Handbook of Deification
Modern theological engagements on deification have undergone two major paradigm shifts. First, the study of deification shifted from the periphery of theological discourse to its center. For Adolf von Harnack, deification was a pagan import that fatally corrupted and distorted the Gospel message of salvation. In response, the positive retrieval of the concept of deification belongs to the early years of the twentieth century. By the 1910s in Russian religious thought and by the 1930s in much Roman Catholic theology, deification had become a magnet concept attracting attention from many different viewpoints. The second important shift relates to how deification is characterized. Recent studie...
The Theology of Amos Yong and the New Face of Pentecostal Scholarship
In The Theology of Amos Yong and the New Face of Pentecostal Scholarship, Wolfgang Vondey and Martin William Mittelstadt gather a table of experts on one of the most influential voices in current Pentecostal theology. The authors provide an introduction and critical assessment of Yong’s biblical foundations, hermeneutics, epistemology, philosophical presuppositions, trinitarian theology, theology of religions, ecumenical and interfaith relations, theology of disability, engagement with contemporary culture, and participation in the theology and science conversation. These diverse topics are pursued through the complementary perspectives that together shape Yong’s methodology: pneumatology, pentecostalism, and the possibility of renewal. The contributors invite a more thorough reading of Yong’s work and propose a more substantial engagement with the new face of Pentecostal scholarship. Contributors include Andrew Carver, Jacob D. Dodson, Jeff Hittenberger, Mark Mann, Martin William Mittelstadt, L. William Oliverio, Jr., David A. Reed, Tony Richie, Christopher A. Stephenson, Steven M. Studebaker, Paraskevè (Eve) Tibbs, and Wolfgang Vondey.
The Spirit of Truth
"This `pneumatology from below'-not in the methodological but in the geographical sense: from New Zealand---extends the contemporary renaissance of the discussion on the doctrine of the Holy Spirit across the theological loci and disciplines. A veritable pneumatological contribution indeed by Myk Habets and his colleagues from Down Under."---Amos Yong J. Rodman Williams Professor of Theology Regent University --
Spirit of the Arts
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
Tongues and Trees
This book develops a Pentecostal ecological theology (ecotheology) by utilizing key pneumatological themes that emerge from the Pentecostal tradition. It examines the salient Pentecostal and Charismatic voices that have stimulated ecotheology in the Pentecostal tradition and situates them within the broader context of Christian ecumenical ecotheologies (Roman Catholic, Orthodox, Protestant, and Ecofeminist). The author advances a novel approach to Pentecostal ecotheology through a pneumatology of the Spirit-baptized creation, the charismatic creational community, the holistic ecological Spirit, and the eschatological Spirit of ecological mission. Significantly, this book is the first substantive contribution to a Pentecostal pneumatological theology of creation with a particular focus on the Pentecostal community and its significance for the broader ecumenical community. Furthermore, it offers a fresh theological approach to imagining and sustaining earth-friendly practice in the twenty-first century Pentecostal church.
Pentecostal Aesthetics
Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics, with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit’s work in today’s contemporary artworld.
Themelios, Volume 37, Issue 2
Themelios is an international, evangelical, peer-reviewed theological journal that expounds and defends the historic Christian faith. Themelios is published three times a year online at The Gospel Coalition (http://thegospelcoalition.org/themelios/) and in print by Wipf and Stock. Its primary audience is theological students and pastors, though scholars read it as well. Themelios began in 1975 and was operated by RTSF/UCCF in the UK, and it became a digital journal operated by The Gospel Coalition in 2008. The editorial team draws participants from across the globe as editors, essayists, and reviewers. General Editor: D. A. Carson, Trinity Evangelical Divinity School Managing Editor: Brian T...
Beyond Salvation
Despite their historical and cultural differences, Eastern Orthodox Christians and Classical Pentecostals share some surprising similarities. Both incorporate holistic approaches to Christian spirituality. Both manifest an organic approach to ecclesiology. Both emphasize that Christianity is not just about being saved. Most strikingly, both traditions embrace the effective and even mystical dimensions of Christian transformation. This study locates both traditions within their cultural and philosophical meta-contexts and suggests avenues of mutual understanding. No longer can these two groups, representing ancient and recent Christian expressions, afford to be strangers.
The Spirit Unfettered
This clear guide will help you understand what is distinctive about Protestant perspectives on who the Holy Spirit is and what the Holy Spirit does in our lives. After an introduction that broadly compares Protestant views on the Holy Spirit with Roman Catholic and Eastern Orthodox models, the understandings of important theologians and figures in Protestant tradition are explored: Martin Luther The Anabaptists (Meno Simons, Balthasar Hubmaier, Conrad Grebe, Jacob Hutter) John Wesley Friedrich Schleiermacher Abraham Kuyper Karl Barth And then living theologians such as Jurgen Moltmann, Wolfhart Pannenberg, Clark Pinnock, and Michael Welker.
