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Coming for to Carry Me Home examines the history of the politics surrounding U.S. race relations during the half century between the rise of the abolitionist movement in the 1830s and the dawn of the Jim Crow era in the 1880s. J. Michael Martinez argues that Abraham Lincoln and the Radical Republicans in Congress were the pivotal actors, albeit not the architects, that influenced this evolution. To understand how Lincoln and his contemporaries viewed race, Martinez first explains the origins of abolitionism and the tumultuous decade of the 1830s, when that generation of political leaders came of age. He then follows the trail through Reconstruction, Redemption, and the beginnings of legal segregation in the 1880s. This book addresses the central question of how and why the concept of race changed during this period.
William Barker Cushing is considered one of the navy's greatest heroes of the Civil War. After his expulsion from the U.S. Naval Academy in 1861, Cushing managed to get an appointment as a master's mate on one of the warships of a blockading squadron. Cushing's daring and exceptional performance in battle led to a spectacular rise in rank, responsibility, and reputation. His military career culminated in his torpedoing of the Confederate ironclad Albermarle on the Roanoke River in 1864, an operation he executed under heavy enemy fire. This new and fully annotated edition of Cushing's memoir, originally written in 1867–1868, conveys the excitement and drama of a truly extraordinary Civil War naval career.
In the late summer of 1864, Confederate General Sterling Price led a last ditch attempt to liberate Missouri from Union occupation and brutal guerrilla warfare. Price’s invading army was like few others seen during the Civil War. It was an army of cavalry that lacked men, horses, weapons, and discipline. Its success depended entirely upon a native uprising of pro-Confederate Missourians. When that uprising never occurred, Price’s rag-tag army marched through the state seeking revenge, supplies and conscripts. It was a march that took too long and ultimately allowed Union forces to converge on Price and badly defeat him in a series of battles that ran from Kansas City to the Arkansas bord...
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As scholars debate the most appropriate way to teach evolutionary theory, Constance Areson Clark provides an intriguing reflection on similar debates in the not-too-distant past. Set against the backdrop of the Jazz Age, God—or Gorilla explores the efforts of biologists to explain evolution to a confused and conflicted public during the 1920s. Focusing on the use of images and popularization, Clark shows how scientists and anti-evolutionists deployed schematics, cartoons, photographs, sculptures, and paintings to win the battle for public acceptance. She uses representative illustrations and popular media accounts of the struggle to reveal how concepts of evolutionary theory changed as they were presented to, and absorbed into, popular culture. Engagingly written and deftly argued, God—or Gorilla offers original insights into the role of images in communicating—and miscommunicating—scientific ideas to the lay public.
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Recently discovered, never-before-published photographs of the 1925 "trial of the century" present the untold story of the science journalists and scientists who gathered in Dayton, Tennessee, to befriend Scopes, assist in the defense, and publicize Science's epic challenge of Tradition.
Hezekiah Sellards who was probably of Scotch-Irish parentage, came to Pennsylvania in 1732. He migrated to the Shenandoah Valley, then to Walkers Creek, Virginia and died in Kentucky. Descendants lived throughout the United States.