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This book mediates between postcolonial positions that criticize Marxist approaches (and Marx’s writings) for their Eurocentrism and defenders of Marx, who claim that this accusation is a myth. In different contributions to this volume, Kolja Lindner pleads for a differentiated assessment of the whole of Marx’s work, including less known manuscripts, and a theoretical reconstruction of various elements that have come into the focus of postcolonial critique: ethnocentrism, Orientalism, false universalism and the oblivion of modernity’s global entanglement. Against this background, two opportunities simultaneously arise: Marx’s Eurocentrism can be deconstructed and his growing awareness of global developments and cosmopolitan struggles established.
Confronting Capital and Empire inquires into the relationship between philosophy, politics and capitalism by rethinking Kyoto School philosophy in relation to history. The Kyoto School was an influential group of Japanese philosophers loosely related to Kyoto Imperial University’s philosophy department, including such diverse thinkers as Nishida Kitarō, Tanabe Hajime, Nakai Masakazu and Tosaka Jun. Confronting Capital and Empire presents a new perspective on the Kyoto School by bringing the school into dialogue with Marx and the underlying questions of Marxist theory. The volume brings together essays that analyse Kyoto School thinkers through a Marxian and/or critical theoretical perspective, asking: in what ways did Kyoto School thinkers engage with their historical moment? What were the political possibilities immanent in their thought? And how does Kyoto School philosophy speak to the pressing historical and political questions of our own moment?
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.
This book addresses the question of how to properly handle Dōgen’s texts, a core issue that became critical during the Meiji period in which the philosophical appropriation of Dōgen became apparent inside and outside of the monastery. In present day Dōgen studies, most scholarship is informed by a number of factions representing Dōgen. The chapters herein address: the Zennist (j. zenjōka) emphasising practice, the Genzōnians (j. genzōka) shifting the attention to the close reading of Dōgen’s texts, the laity movement opening up both the texts and the practice to people in modern society, and the Genzō researchers (j. genzō kenkyūka) searching for the authenticity and truth of ...
Environmental degradation, crises in care and the predations of finance capital impose new challenges to human reproduction. It is imperative to understand their roots in capitalism. But how best to do so? This book develops the concept of ‘immanent externalities’ to grasp the non-capitalist life processes produced by – and necessary for – capitalist reproduction. Immanent Externalities thus considers the category of reproduction by means of a philosophical re-reading of the three volumes of Marx’s Capital. In doing so, the book locates capitalism’s fundamental contradiction as that between the reproduction of profit-driven activity and ecologically situated human life, suggesting new orientations for theory and practice today.
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This book is the first in the series of volumes that will be devoted to the Eurasian Sphagnum bog diatoms. Sphagnum bogs are unique ecosystems. The main ecological drivers in these systems are Sphagnum mosses. They originate under organic, acidic conditions with low content of available electrolytes. Diatomological studies of the Sphagnum bogs of Russia and adjacent countries began in the 1950s. However, these papers include the floristic information on only a few dozen smaller bogs. Large-scale floristic, taxonomic and biogeographic investigations have not been conducted so far, although this gap has been reduced by a few recent studies. Diatom assemblages from Sphagnum bog Nur, situated in...
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