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Transnational Encounters in Early Modern Drama, 1450–1750
In this volume you will find contributions on transnational European drama of the early modern period, featuring a range of innovative approaches. The volume, for the first time, covers dramas and theatre plays in Latin, English, French, Polish, Dutch, and Spanish. A second innovation is its combination of literary historical research and digital humanities. The topics range from court ballets to the reception of Seneca, from visual evidence of commedia dell’arte performances to the use of onomastics to trace connections between plays, and from TEI-tagging to the creation of Wikidata pages and digital networks on the role of the scheming slave in ancient and early modern Europe. Contributors include: Michał Bajer and Piotr Urbanski, Radhika Koul, Linda Simonis, Nigel Smith, Gabriela Villanueva Noriega, Barbara Fuchs, Thom Pritchard, M.A. Katritzky, Justyna Łukaszewska-Haberkowa, Ioana Galleron, Neven Jovanović, Julia Beine, James A. Parente, Jr.
The Congress of Carlowitz (1698/99)
This book delivers the first comprehensive analysis of the Peace Congress of Carlowitz (1698/99), challenging traditional Eurocentric views on early modern diplomacy. It demonstrates that peacemaking norms and practices were largely ‘supra-cultural’—transcending cultural and religious divides across Europe and the Ottoman Empire. Carlowitz emerges as a significant multi-religious congress that introduced pioneering practices, particularly in ceremonial regulations. By confronting cultural essentialism, provincialising the Westphalian congress-model paradigm, and demythologising Carlowitz as a decisive political turning point—notably marking the adoption of a Western European-style diplomacy by cultural ‘outliers’ such as the Ottoman Empire and Muscovy—this study offers fresh insights into the complexity and polycentric nature of early modern multilateral diplomacy.
The Theology of the Books of Nahum, Habbakuk, and Zephaniah
Daniel C. Timmer's study explores how the books of Nahum, Habakkuk, and Zephaniah engaged with ancient Judah's sociopolitical landscape.
Theatricality, Playtexts and Society
This Element proposes a novel way of defining, understanding and approaching theatricality, a term that exists both in the theatre and, more broadly, in everyday life. It argues that four foundational, material processes of theatre-making manifest themselves in all playtexts in both overt and covert forms. Each of the four sections defines a different theatrical process, explores its functions in two chosen playtexts and examines its implications for the wider experience of the spectators outside the theatre. The study concludes with a supplementary reflection on performance to show how even seemingly untheatrical playtexts can be analysed and staged to reveal their unspoken theatricality. It also argues that this new understanding of theatricality has politics, that the artifice of any theatre and the constructedness of any society are analogous and that both, consequently, can be fundamentally changed. This title is also available as Open Access on Cambridge Core.
Language in Literature
Language in Literature examines the overlap and blurring boundaries of English, comparative and world poetry and literature. Questions of language, literature, translation and creative writing are addressed as befitting an author who is a poet, literary scholar and historian. The book begins with metaphor, which Aristotle thought, in Poetics, was the key gift of the poet, and discusses it in theory and practice; it moves from the identity of metaphor to identity in translation and culture; it examines poetry in a comparative and world context; it looks at image and text; it explores literature and culture in the Cold War; it explores the role of the poet and scholar in translating poetry East and West; it places creative writing in theory and practice in context East and West; it concludes by summing up and suggesting implications of creation in language, translating and interpreting, and its expression in literature, especially in poetry.
Arctic Archives
This pioneering volume explores the Arctic as an important and highly endangered archive of knowledge about natural as well as human history of the anthropocene. Focusing on the Arctic as an archive means to investigate it not only as a place of human history and memory – of Arctic exploring, ›conquering‹ and colonizing –, but to take into account also the specific environmental conditions of the circumpolar region: ice and permafrost. These have allowed a huge natural archive to emerge, offering rich sources for natural scientists and historians alike. Examining the debate on the notion of (›natural‹) archive, the cultural semantics and historicity of the meaning of concepts like ›warm‹, ›cold‹, ›freezing‹ and ›melting‹ as well as various works of literature, art and science on Arctic topics, this volume brings together literary scholars, historians of knowledge and philosophy, art historians, media theorists and archivologists.
