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This book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.
This book explores in a comparative approach the astounding medial variety and intermedial interleaving of cultural engagements with the subject of the destruction of Jerusalem and the Second Temple by the Romans in nineteenth-century Germany. Its main argument is that the pervasive discursive presence of the historical occurrence constitutes a significant but so far largely neglected arena for the negotiation of shifting German and Jewish imaginaries in which both German and Jewish creative minds engaged. Interpreted as pivotal not only for the progression of the history of salvation but also of universal history and responding to such decisive socio-cultural and political developments as t...
Exploring Coleridge's involvement with contemporary circles, this book extends from his years in Bristol and Cambridge, under the influence of scientific Jacobins and Unitarians, through to the time of his intellectual authority, and his thoughts on the Victorian Church and American transcendentalism. His creative reception of German thought and the symbiosis apparent in his friendships with such writers as Wordsworth, Lamb and De Quincey, and scientists such as Humphry Davy and J.H.Green, make up the central sections of the book.
This Guide introduces literature and science as a vibrant field of critical study that is increasingly influencing both university curricula and future areas of investigation. Martin Willis explores the development of the genre and its surrounding criticism from the early modern period to the present day, focusing on key texts, topics and debates.
Why biography? Lives of writers, thinkers and artists, while unfailingly popular with readers, raise all kinds of theoretical problems. This volume explores the different faces and functions of the genre in a range of European settings from antiquity to the present.
Now available in paperback, the successful three volumes of Nineteenth-Century Religious Thought in the West provide a fresh appraisal of the most important thinkers of that time. Some essays centre on major figures of the period; others cover topics, trends and schools of thought between the French Revolution and the First World War. The contributors are among the leading scholars in their field and analyse not only what was said but also why it was said, and explore what is of lasting value in it. Contributions are sufficiently clear to be of use to students in religious studies and cognate disciplines, but have enough depth and detail to appeal to scholars.
Keine ausführliche Beschreibung für "Aesthetic Illusion" verfügbar.
In this fascinating book, Reid examines Robert Louis Stevenson's writings in the context of late-Victorian evolutionist thought, arguing that an interest in 'primitive' life is at the heart of his work. She investigates a wide range of Stevenson's writing, including Dr Jekyll and Mr Hyde and Treasure Island as well as previously unpublished material from the Stevenson archive at Yale. Reid's interpretation offers a new way of understanding the relationship between his Scottish and South Seas work. Her analysis of Stevenson's engagement with anthropological and psychological debate also illuminates the dynamic intersections between literature and science at the fin de siècle.
Focusing on the critical notions of disunity and incoherence so frequently raised in discussions of 'Moby-Dick', the study argues that Melville's 1851 novel depicts two radically different realities governed by principles of continuity and discontinuity respectively, each of which is associated with one of the novel's main protagonists. Based on the assumption that Ahab's world exhibits the same continuities as the cosmos conceptualized by classical physics, this study proposes to regard the captain not as mad, but as a Newtonian subject whose central beliefs about the world are grounded in the same metaphysics as Newtonian physics. In contrast, Ishmael's world is full of inconsistencies, discontinuities, and paradoxes. Beings which populate this heterogeneous multiplicity, in particular the whale which Ishmael attempts to describe and classify, resist all attempts at rendering them continuous. In consequence, they are best described with the concept of complementarity, which originates in quantum physics and denotes a state of affairs characterized by irreducible discontinuity.
Some seventy thousand or more refugees from National Socialism came to Britain from Germany, Austria, and Czechoslovakia and engaged in a wide range of cultural and political activities. Professor Ritchie reveals the extraordinary vitality of these exile activities. Professor Ritchie has published widely on Expressionism and the Weimar Republic, hence studies of the exile experience of artists and writers from this period figure prominently in this collection of his essays. Other focuses of this work are: women in exile in Britain; poets; dramatists; and writers of prose. The concluding essays expand the scope even further to include more recent European exiles.