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This is the first extended study of Wordsworth's complex, subtle, and often conflicted engagement with the material and cultural legacies of monasticism. It reveals that a set of topographical, antiquarian, and ecclesiastical sources consulted by Wordsworth between 1806 and 1822 provided extensive details of the routines, structures, landscapes, and architecture of the medieval monastic system. In addition to offering a new way of thinking about religious dimensions of Wordsworth's work and his views on Roman Catholicism, the book offers original insights into a range of important issues in his poetry and prose, including the historical resonances of the landscape, local attachment and memor...
A brilliant new study of one of the great English poets of the 20th Century, by a distinguished critic and scholar.This book opens with a section on Hughes's life, including the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work. including the poets of Eastern Europe. The body of the book offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected - The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography. Professor Roberts's books include Ted Hughes: A Critical Study (with Terry Gifford, Faber, 1981), D. H. Lawrence, Travel and Cultural Difference (Palgrave, 2004), and Ted Hughes: A Literary Life (Palgrave, 2006.
From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the 'immortality' of the subtitle unsubstantiated, and the 'recollections' insubstantial. Yet Wordsworth's idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne's starting point for the recovery of a lost vision comparable to Wordsworth's. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality. Graham Davidson traces the origins of Wordsworth's poetic impetus to his ...
An updated reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets.
John Thelwall and the Materialist Imagination reassesses Thelwall's eclectic body of work from the perspective of his heterodox materialist arguments about the imagination, political reform, and the principle of life itself, and his contributions to Romantic-era science.
This new collection of Keith Sagar's writings on the poetry of D H Lawrence includes many new interpretations of well-known poems. It ends with a year-by-year checklist of reviews and criticism of Lawrence's poems, from 1913 to the present. Though much has been written about Lawrence's poetry (as revealed by the several hundred entries in the book's checklist of criticism), there have been relatively few full length studies. This book deals with the whole range of his poetry from his earliest poems, such as 'To Campions' and 'To Guelder Roses', through the poems inspired by his elopement with and subsequent marriage to Frieda Weekley (Look! We Have Come Through!), to the mature achievement, in free verse forms inspired by Walt Whitman, of Birds, Beasts and Flowers, Pansies and Last Poems. The genesis of the poems in Lawrence's life is explored; and there are new interpretations of his most memorable poems, such as 'The Wild Common', 'Piano', 'Song of a Man Who Has Come Through', Tortoises, 'Peach', 'Pomegranate', 'Snake', 'Bavarian Gentians' and 'The Ship of Death'.
This volume contains a selection of essays presented at the 8th International Milton Symposium, «Milton, Rights and Liberties», which was held in Grenoble, France, 7-11 June 2005. It was the first time ever that such a major event was organized in France, hence the volume's title. Moreover, Milton's writings influenced key figures of the French Revolution. The essays presented in this volume were written by emerging as well as confirmed Milton scholars from around the world. Topics range from Romanticism (Milton and Wordsworth) to a psychoanalytic reading of Milton, from the iconography of the garden in Paradise Lost to the prosody of Samson Agonistes, from Derridean readings of Milton to Milton's presence in Brazil and China. Another volume of essays entitled Milton, Rights and Liberties was published in 2007.