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Paul Tillich and the Possibility of Revelation Through Film
This study explores the possibility that even films lacking religious subject matter might have a religious impact upon their viewers. It begins with a reading of Paul Tillich's theology of revelation through culture and continues with a qualitative research project assessing the experiences of filmgoers in Latin America.
Ecclesiastes Through the Centuries
Ecclesiastes Through the Centuries “A rich tour down many significant streams of Western interpretation of this fascinating biblical book... Heartily recommended, without reservation.” Bible and Critical Theory “A fundamental resource on biblical interpretation, especially in the modern world, this book is a winner.” International Review of Biblical Studies “The introduction and commentary proper cover many topics, from patristic and rabbinic exegesis through to modern science-fiction, with numerous stops on the way... Very well written and accessible...an excellent book.” Society for Old Testament Study Book List Over the centuries, Ecclesiastes has influenced numerous aspects o...
I Will Repay
How can Christianity continue to rejoice over a redemption that came at the cost of the violent suffering and death of Jesus Christ? In the wake of increasing revulsion toward oppression and abuse--both historic and contemporary--traditionally Protestant and evangelical theology is in the precarious position of defending one of its cardinal doctrines amidst a host of compelling critiques and alternatives. In I Will Repay, Dennis Oh explores how soteriology rooted in Scripture and resonant with tradition can also be conversant with the cinematic experience offered by popular films. It proposes a narrative reenvisioning of the mechanism of atonement that both supports and extends traditional theological categories and vocabularies while retaining the cross-centered conviction of an evangelical gospel.
The Bible in Motion
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Bibles in Popular Cultures
Supporting the theory that there is no singular 'Bible', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple 'Bibles' coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified which variously perpetuate, challenge or subvert biblical narratives and motifs. The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.
Grains of Wheat
There is a kind of knowledge that is non-propositional; one variety of it can be acquired in second-person experience of another person, but it can also be transmitted through narratives. This narratively mediated kind of knowledge can be significant for philosophical and theological reflection. Biblical narratives have prompted detailed reflection for so many centuries because they offer profound insights into the nature of the human condition and human flourishing. This book brings together detailed examinations of narratives in the Hebrew Bible and the New Testament to yield one large, emergent story, which has something to teach that can be missed when the stories are taken in isolation ...
Hebrew studies
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The Origin of the History of Israel
This book demonstrates that Primary History, the historical work contained in the first nine books of the Hebrew Bible (Genesis-2 Kings), was written as one unitary work, in deliberate emulation of the Greek-language Histories of Herodotus of Halicarnassus (completed c. 440 BCE); the diversity of its books and sections is largely a literary device. The work was most likely written in the period 440-420 BCE, in the period of reform usually associated with the name of Nehemiah. Though this thesis does not directly affect questions of historicity, understanding the literary nature of primary history promises to open new vistas for research into the history of Israel, the Hebrew Bible in general and the history of the Hebrew language.
The Religious Film
Pamela Grace provides historical, cultural and critical background for religious films from the silent era through today, and explores the genre in its many guises - as spectacle, as musical, and as controversy.
Salvation in Celluloid
Much work in the field of theology and film lacks a really theological focus. This book suggests a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The argument is presented that the imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms), which is both noetic (it is the image-making faculty of the mind) and almost ontological (it is that which draws human beings into the future which they are able to construc...
