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A Room of His Own
A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.
Reverberations of Revolution
A broad, comparative and trans-Atlantic approach to the Age of RevolutionsCutting across disciplines and linguistic borders, this book explores the dissemination and transformation of revolutionary ideas in the period between the mid-eighteenth century and the revolutions of 1848. In addition to revolutionary movements in Europe and the United States, it deals with the international impact of the Haitian Revolution. The chapters in the book adopt transnational approaches to revolution to show how political uprisings often reverberated far beyond the borders of the states directly affected - in the form of narratives, metaphors, translations, letters, pamphlets and dialogues, as well as physical objects.
Translation as Citation
This volume examines translation from many different angles: it explores how translations change the languages in which they occur, how works introduced from other languages become part of the consciousness of native speakers, and what strategies translators must use to secure acceptance for foreign works. Haun Saussy argues that translation doesn't amount to the composition, in one language, of statements equivalent to statements previously made in another language. Rather, translation works with elements of the language and culture in which it arrives, often reconfiguring them irreversibly: it creates, with a fine disregard for precedent, loan-words, calques, forced metaphors, forged pasts...
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