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This is the first full-length book to investigate Samuel Beckett's work through contemporary ecological thinking, offering a wide range of artistic and scholarly responses to the ecological crises provoked, mediated or challenged by Beckett's work. Beckett was not an environmental artist, but his oeuvre, poised between forms of precarity and hope, is a rich territory for the exploration of the most pressing issues of our time: the rift between the human species, its technological and economic advancement and the ecologies that sustain it all. In recent years, Beckett's name, aphorisms and work have been invoked relative to environmental catastrophe, helping stimulate debates on ecology, the ...
Pushing back against the contemporary myth that freedom from oppression is freedom of choice, Frank Ruda resuscitates a fundamental lesson from the history of philosophical rationalism: a proper concept of freedom can arise only from a defense of absolute necessity, utter determinism, and predestination. Abolishing Freedom demonstrates how the greatest philosophers of the rationalist tradition and even their theological predecessors—Luther, Descartes, Kant, Hegel, Freud—defended not only freedom but also predestination and divine providence. By systematically investigating this mostly overlooked and seemingly paradoxical fact, Ruda demonstrates how real freedom conceptually presupposes the assumption that the worst has always already happened; in short, fatalism. In this brisk and witty interrogation of freedom, Ruda argues that only rationalist fatalism can cure the contemporary sickness whose paradoxical name today is freedom.
This book is the first volume to bring together the most prominent scholars who work on Slavoj i ek's philosophy, examining and interrogating his understanding of dialectical materialism. It deserves to be thoroughly and systematically elaborated because it attempts to propose a new foundation for dialectical materialism.
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation – as in the all-pervasive figures of 'nothing', 'no', 'null', and 'not' – but also examines how several phenomena that occur throughout Beckett's work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
Es ist ein Mittwoch, an dem sie genug haben: Fatzer und seine Kameraden kriechen aus einem Panzer heraus, verlassen den Krieg und haben doch nichts gelernt als die Solidarität des Militärs. Eingepfercht in ein Versteck, in dem sie auf das Ende des Krieges oder die kommende Revolution warten, stellt sich das Problem, wie man es bis zu diesem Moment miteinander aushalten kann. Denn auch alleine geht es nicht. Fatzer ist auch eine Auseinandersetzung mit Gemeinschaften, mit ihrer Konstruktion und ihrem Auseinanderfallen; mit dem, was sie ausmacht, und dem, was ihnen notwendig entgeht: dem/der/den Einzelnen. Brechts Fragment rechnet mit der Notwendigkeit von Gemeinschaften, der Gemeinsamkeit de...