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Myths of Europe focuses on the identity of Europe, seeking to re-assess its cultural, literary and political traditions in the context of the 21st century. Over 20 authors - historians, political scientists, literary scholars, art and cultural historians - from five countries here enter into a debate. How far are the myths by which Europe has defined itself for centuries relevant to its role in global politics after 9/11? Can 'Old Europe' maintain its traditional identity now that the European Union includes countries previously supposed to be on its periphery? How has Europe handled relations with the non-European Other in the past and how is it reacting now to an influx of immigrants and asylum seekers? It becomes clear that founding myths such as Hamlet and St Nicholas have helped construct the European consciousness but also that these and other European myths have disturbing Eurocentric implications. Are these myths still viable today and, if so, to what extent and for what purpose? This volume sits on the interface between culture and politics and is important reading for all those interested in the transmission of myth and in both the past and the future of Europe.
Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.
A hundred years after his death, the life and legacy of the Polish-British novelist Joseph Conrad remains deeply felt in a wide range of global cultural contexts. The Resonance of Joseph Conrad in Contemporary Culture brings together scholars of wide-ranging backgrounds to provide a holistic assessment of the afterlife of Conrad’s work. Ranging from Conrad’s influence upon contemporary writers, to the impact of his translators and his adaptation within film and graphic novels, this volume illuminates how Conrad’s approach to questions of moral ambiguity and the haunting complexities of colonialism continues to inform the cultural output of our modern, globalized world.
Commonwealth Literature Continues To Retain A Separate Identity In The Twenty-First Century, Even Though Some Of Its Creators Do Not Favour The Term Any Longer. Our Identity Stems From Our History. English Was A Historical Accident That Gave An Overwhelming Majority Of The Commonwealth Countries The First Opportunity For Creative Expression. English Is Now The Chief Marker Of Identity For Commonwealth Fiction, Which Owes Its Current High Visibility In The International Arena To English. In This Light, Stimulating Answers May Be Found To The Questions Concerning The Relevance Of Commonwealth As A Literary Category, The Common Characteristics Of The Literatures Produced In The Former British Colonies, And The Role Of Academia In Keeping Alive The Idea Of Commonwealth Literature.In This Anthology, Scholars From At Least Three Continents Analyse Some Important Works Of Fiction Originating From The Former British Colonies, Deal With Major Topics In The Current Postcolonial Debate, And Put Commonwealth Fiction Itself Into Perspective.
A Constant Concern Of Naipaul S Novels And Travel Writing Is The Negotiation Of Where The Individual Is Situated. Many Of His Fictional Figures Remain Unhoused, Displaced, Uprooted With No Distinct Place Called Home To Be Proud Of And Are, Therefore, Located On The Margins Of Fixed And Shifting Identities.In Formal Terms, Naipaul Experiments Along The Boundaries Of Fiction And Non-Fiction, In Particular Travel Writing, And Often Fuses Genres To Give Birth To New Ones.On The Occasion Of Naipaul S Winning The Nobel Prize For Literature This Anthology Presents A Perceptive Assessment Of Some Of His Important Works Of Fiction And Travel Writing And Puts Into Perspective His Contribution To Literature As A Whole.
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