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This book argues that the outskirts of cities have become spaces for a new literature beyond boundaries of traditional notions of nation, class, and gender. Includes discussions of Booker Prize winners Roddy Doyle and James Kelman.
This collection of essays aims to provide new insights into the debate on postnationalism in Ireland from the perspective of narrative writing.
Recent years have witnessed an extraordinary growth in the richness and diversity of Irish fiction, with the publication of highly original and often challenging work by both new and established writers. Contemporary Irish Fiction provides an invaluable introduction to this exciting but largely uncharted area of literary criticism by bringing together twelve accessible, stimulating essays by critics from Ireland, Britain and North America.
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.
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This book offers a series of readings in Irish culture in the light of the set of crises that beset the project of modernization in Ireland from the late 1960s onwards. These crises are argued to have contributed to a crisis of representation that has afflicted a variety of intellectuals - novelists, playwrights, filmmakers and literary critics. McCarthy locates the source of this problem in the overly narrow conceptualization of modernization and modernity that has held sway in Irish intellectual life since the 1960s, and in a lack of attention paid to the negative aspects of the processes of modernization. In particular, McCarthy points to the need to find a more nuanced response to the legacies of nationalism as we move into the 21st century.
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