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A comprehensive overview of the life and career of French composer.
First published in 2000. Gabriel Urbain Fauré was brn 12 May 1845, in Pamiers in the south of France. Faure’s compositional style has proven difficult to classify. Some music historians consider him a figure of the nineteenth century, a traditionalist, even a neo-romantic; others consider him part of the twentieth century—at the least, a predecessor of modem French music or, at the other extreme, a quiet revolutionary and a great influence upon France’s musical future. This research guide offers a selective, annotated list of writings, biographical information and lists of works and photographs.
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
"The Pavane, the Sicilienne and a few other 'lollipops' are all that most people know of Fauré's music, apart from the ever-popular Requiem. But Gabriel Fauré was more than just a 'salon' composer--'the master of charms' Debussy called him--and his powerful wartime and final-period compositions in particular are often misunderstood. Although he lived through one of the most difficult and yet exciting periods for a musician--a period of rapid and often unexpected developments in the arts as a whole--yet he remained true to himself. The inspired professional musician of the nineteenth century developed into a 'classic' in the twentieth. The results of a great deal of research, carried out by the author and others, are included in this, the first major book on Fauré's life and music to appear in English for over thirty years. Dr Orledge comprehensively covers the whole of Fauré's extensive output, and deals in detail for the first time with the composer's manuscripts and notebooks. Copiously illustrated with plates and music-examples, this book will be essential reading for all concerned with the music of an unduly neglected French genius."--Back cover.
The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In this book, the distinguished accompanist and song scholar Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. Each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music-lover discuss interpretation and performance in both aesthetical and practical terms and Richard Stokes provides parallel English translations of the original French texts.
This work is part of a series which presents information on composers. Each volume offers annotated lists of all writings in major languages plus lists of works by the composers, biographical sketches and guides to library resources, organizations and specialists.