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A Systematic Theology from East Asia: Jung Young Lee's Biblical-Cultural Trinity considers the Trinitarian theology of Jung Young Lee, a twentieth-century Korean American theologian, unique for being based on the Bible but also inspired by the Book of Changes, a classical text from East Asian culture with wide appeal. This monograph examines the Christian scriptural-traditional and cultural roots of Lee's doctrines of God and the Trinity as twin pillars of his systematic theological system bearing out God's nature, purposes, and guidance for humanity and the world. In addition, this book outlines the autobiographical milieu of Lee's theology, its contribution to three distinct fields of Trinitarian doctrine (immanent-economic trinitarianism, social Trinity theory, and Cappadocian trinitarianism), and culminates in an assessment of Lee as a systematic theologian from East Asia, comparing Lee with other Asian American theologians.
Centering African Diasporic traditions, the margins of mainstream mystical traditions, and the intersection between mysticism and psychedelics, the essays in this volume offer several diverse and unique, contemporary approaches to the study of mysticism. In a time when the word “mystic" or "mysticism" appears as often in popular and even scientific settings as it does in academic or religious discourse, a critical study of these terms and traditions becomes ever more relevant. This volume challenges normative notions of who “counts” as a mystic, and questions the definitions and interpretive frames underlying the field of comparative mysticism itself. This is an important text for students and scholars of comparative mysticism, and those interested in what traditions, texts, communities, rituals, persons, and practices have been marginalized in the development of what "counts" as “mysticism" today.
Despite its enduring popularity both in China and worldwide, the Yijing is often poorly understood. As a divinatory text, it has a devoted following in the western hemisphere, even as it represents a foundational text of both Confucianism and Daoism. A fascination with the Yijing has been evident among western scholars since the Enlightenment, as well as in notable modern literary and artistic figures. This book provides an introduction for the general reader to this classic sacred text. Joseph A. Adler explains its multi-layered structure, its origins, its history of interpretation from the early first millennium BCE up to the present day, its function of divination, its significance in the history of Chinese thought, and its modern transformations. He explores why the Yijing has been considered the most profound expression of traditional Chinese thought and what meaning it can have for contemporary readers.
This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue. The assessment of cultural exchange in the East-West context involves the original source, the adapted text, and other enigmatic extras incurred during the process. It aims to evaluate the linkage among, but not limited to, literature, film, music, art, and performance. The sections unpack how canonical texts can be read anew in modern society; how ideas can be circulated around the world based on translation, adaptation, and reinven...
Includes calendars, catalogues and indexes of records, issued as appendices.
This book is an examination of the globalization of the Yijing from cross-cultural and comparative perspectives, with a special focus on the Yijing encounters with world religions and thoughts over the past centuries. It presents an ambitious effort to bring together leading Yijing—The Book of Changes—scholars in the world. Composed of three parts and twelve chapters, it begins with a conceptualized narrative of the globalization of the Yijing, highlighting the intercultural encounters and transformation of the Yijing in different religious, philosophical, and cultural traditions across the globe. Part One investigates the interaction of the Yijing in Asian religions and philosophy inclu...
Should technology be used to improve human faculties such as cognition and longevity? This thought-provoking dialogue between "transhumanism" and religion examines enhancement technologies that could radically alter the human species. "Transhumanism" or "human enhancement" is an intellectual and cultural movement that advocates the use of emerging technologies to change human traits. Although they may sound like science fiction, the possibilities suggested by transhumanism are very real, and the questions they raise have no easy answers. If these enhancements—especially major ones like the indefinite extension of healthy human life—become widely available, they would arguably have a more...
Menstruation seldom gets a starring role on screen despite being experienced regularly by nearly all women for a good many decades of their lives. Periods in Pop Culture: Menstruation in Film and Television, by Lauren Rosewarne, turns the spotlight on period portrayals in media, examining the presence of menstruation in a broad range of contemporary pop culture. Drawing on a vast collection of menstruation scenes from film and television, this study examines and categorizes representations to unearth what they reveal about society and about our culture’s continuingly fraught relationship with female biology. Written from a feminist perspective, menstrual representations are analyzed for what they reveal about sexual politics and society. Rosewarne’s thorough investigation covers a range of topics including menstrual taboos, stigmas and fears, as well as the inextricable link between periods and femininity, sexuality, ageing, and identity. Periods in Pop Culture highlights that the treatment of menstruation in the media remains an area of persistent gender inequality.
Examines the intersections between forgetting and remembering in classical Chinese civilization. The Craft of Oblivion is an innovative and groundbreaking volume that aims to study, for the first time, the intersections between forgetting and remembering in classical Chinese civilization. Oblivion has tended to be relegated to a marginal position, often conceived as the mere destructive or undesirable opposite of memory, even though it performs an essential function in our lives. Forgetting and memory, far from being autonomous and mutually exclusive spheres, should be seen as interdependent phenomena. Drawing on perspectives from history, philosophy, literature, and religion, and examining both transmitted texts and excavated materials, the contributors to this volume analyze various ways of understanding oblivion and its complex and fertile relations with memory in ancient China.