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Sir Geraint Evans
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Helen Falcon (Community Dentist)
Abiodun Olayinka Bamgbelu says, “I am a Negro general dental practitioner, the first and only one in Wellingborough and Bedford, England. England is one of the least literate countries in the industrialised world. A self-educated Negro seemed a threat to those who might have been brought up to believe that the brain is in the skin. Helen Falcon, Kevin Atkinson, George Rothnie, Geraint Evans, all Caucasians, and Resh Diu, Indian, the next door surgery, all told unrelenting, Negrophobic lies on record and/or under oath. There was a catalogue of mediocrity and confusions that seemed complicated by prior predilection and innate racial hatred. They were dishonest and reckless, and allowed prior predilection and prejudice to becloud their objective reasoning and judgment. They immortalised mediocrity, confusion, and dishonesty on record.”
Mediocre GDC
It is naivety that borders upon dishonesty to suggest that Britain’s mediocre General Dental Council (GDC) is untouched by the decline in the general educational standard. “To disagree with three-fourths of the British public on all points is one of the first elements of sanity, one of the deepest consolations in all moments of spiritual doubt.” – Oscar Wilde In November 2008, the mediocre GDC belatedly and retrospectively charged and found the first ever and only Negro dentist in Bedford guilty of using “kavoklave instead of autoclave” for two months in 1996, twelve years earlier! In 1996, the Caucasian predecessor at the dental practice had used the same autoclave for several y...
About the House
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Sir Geraint Evans Papers
Magazines, 1953-1986, containing references to Sir Geraint Evans and reviews of his performances.
The Gramophone
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Backstage at the Opera
This is a glimpse backstage into one of the world's great opera houses: San Francisco Opera House. It is also and insider's look at the process of creating what is probably the world's most complicated art form. Behind each superstar on stage is a support staff of hundreds, even thousands of people, most of whom are highly specialized. In following the process, the authors watched productions grow from telephone negotiations through intensive rehearslas into the full-scale extravaganza the audience sees. --from Preface.
