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In v.1-8 the final number consists of the Commencement annual.
American government securities); 1928-53 in 5 annual vols.:[v.1] Railroad securities (1952-53. Transportation); [v.2] Industrial securities; [v.3] Public utility securities; [v.4] Government securities (1928-54); [v.5] Banks, insurance companies, investment trusts, real estate, finance and credit companies (1928-54).
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In the late eleventh century, tens of thousands of people—knights and peasants, men and women, priests and lords—set out on a long and arduous journey to retake the holy city of Jerusalem. They traveled thousands of miles across difficult terrain and into hostile territory. How did they accomplish this remarkable task? How did they move through such an ever-changing and diverse landscape? Logistics of the First Crusade: Acquiring Supplies amid Chaos looks at the plans that they made and the methods they implemented to sustain themselves on this remarkable expedition in an attempt to understand how they persisted on the First Crusade. The crusaders sought to implement order as they traveled, moving with intent and adapting when confronted with hardship. In the end, they succeeded largely through their logistical perseverance.
Originally a successful painter from Romania, Jean Negulesco worked in Hollywood first as an art director, then as a second unit director. He was later hired as a director by various studios--mostly for ballet and musical shorts--before being assigned to a number of commercially successful films. During his 30-year career, he worked in several European countries yet it was in the U.S. he achieved his greatest success, with Warner Brothers and 20th Century Fox. Dubbed "The Prince of Melodrama" by critics, he directed films of all genres, working with stars like Joan Crawford, John Garfield, Marilyn Monroe, Lauren Bacall, Bette Davis, Richard Burton, Alec Guinness, Fred Astaire and many others. Negulesco was nominated for Best Director by the Academy of Motion Picture Arts and Sciences in 1948 for Johnny Belinda--now considered a classic, along with his The Mask of Dimitrios (1944), Humoresque (1946), How to Marry a Millionaire (1953) and Three Coins in the Fountain (1954). This book--the first on him since his 1984 autobiography--covers his extraordinary life and career, with extensive analyses of his films.
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