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In response to the recent critiques made against Balthasar's interpretation of Christ's descent into hell on Holy Saturday, this book argues that Balthasar does not intend to present a radical reinterpretation of the doctrine in contrast to the traditional teachings but rather intends to fully appreciate the in-betweenness of Holy Saturday as the day of transition from the cross to the resurrection, from the old aeon to the new. The book further argues that this awareness of the "in-betweenness" can be detected throughout Balthasar's theological corpus and provides a clue to interpret his thoughts on Christian discipleship and suffering. After all, the Christian existence is also characterized by the transition from the old aeon to the new, from suffering to victory. The Christian believes that their victory is already here and not here yet. In this sense, the Christian still lives in Holy Saturday. Eventually, we can deepen our understanding of Christian discipleship and suffering in the light of Holy Saturday. In short, we could patiently endure our Holy Saturday because of Christ's Holy Saturday in hell.
Brett Gray traces the portrayal of Christ that emerges throughout Williams' diverse writings, including in his engagements with literature and philosophy. What emerges is a vision of Jesus that grows from the roots of the Christian tradition, but is pronounced in a contemporary idiom and sensitive to modern concerns. Although attentive to the broad sweep of the Christian tradition, Williams' Christology is also seen in this book to be a particular British artefact, shaped in dialogue with thinkers such as Donald MacKinnon and Gillian Rose. What is ultimately brought to the surface in this work is the profoundly hopeful, if frequently under-pronounced, eschatology underlying Williams' Christology. Jesus is the “last word”, changing creation's possibilities and summoning it into an endless and vivifying journey.
Tragedy is a genre for exploring loss and suffering, and this book traces the vital areas where tragedy has shaped and been a resource for Christian theology. There is a history to the relationship of theology and tragedy; tragic literature has explored areas of theological interest, and is present in the Bible and ongoing theological concerns. Christian theology has a long history of using what is at hand, and the genre of tragedy is no different. What are the merits and challenges of placing the central narrative of the passion, death and resurrection of Christ in tragic terms? This study examines important and shared concerns of theology and tragedy: sacrifice and war, rationality and ord...
From the dawn of Western thought to the present day, The Love of Wisdom tells the story of philosophy as something intensely theological, both in its insights and its wrong turns. The book will be invaluable for any student of theology or intellectual history, and for anyone who wants to see the intellectual cogency of the Christian faith at its best. The intellectual tradition of the Church emerges clearly from this book as one of the glories of the Christian inheritance.
This penetrating study makes a case for the centrality of the concept of representation (Stellvertretung) in Hans Urs von Balthasar’s theological project. How is it possible for Christ to act in the place of humanity? In Hans Urs von Balthasar’s Theology of Representation, Jacob Lett broaches this perplexing soteriological question and offers the first book-length analysis of Balthasar’s theology of representation (Stellvertretung). Lett’s study shows how Balthasar rehabilitates the category of representation by developing it in relationship to the central mysteries of the Christian faith: concerned by the lack of metaphysical and theological foundations for understanding the questio...
While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual...
Smith King was born in Virginia in 1825. Early in life he was living in the Loafers Rest Community of Wythe and Carroll Counties, Virginia, so he could have been born there. He married Nancy Alley, daughter of David and Sarah Alley, in Wythe County, Virginia, in 1848. They had five children. He served in the Virginia Infantry, Confederate States Army, during the Civil War and died while a prisoner of war at Camp Morton, Indianapolis, Indiana, 12 August 1864. Descendants lived in Virginia and elsewhere.