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Hamlet in Purgatory
  • Language: en
  • Pages: 347

Hamlet in Purgatory

In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselv...

Stephen Greenblatt
  • Language: en
  • Pages: 227

Stephen Greenblatt

  • Type: Book
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  • Published: 2014-06-11
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  • Publisher: Routledge

Stephen Greenblatt is the most important exponent of 'new historicism', a dynamic critical movement which rejects the traditional reliance on individual canonical texts, exploring a multitude of other, more marginal works and voices. Questioning not just literary but social, political and cultural assumptions about knowledge and power, Greenblatt’s work has had a huge impact on contemporary theory. Mark Robson discusses ideas specific to particular works and explores the relation of Greenblatt’s thought to new historicism as well as other modes of criticism including the key topics of: context cultural poetics power, subversion and containment thick description anecdotes. Providing a starting point for readers new to this crucial theorist’s sometimes complex texts, or support for those deepening their understanding of his work, this guidebook is ideal for students in the fields of literary, history, social and cultural studies.

Learning to Curse
  • Language: en
  • Pages: 282

Learning to Curse

  • Type: Book
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  • Published: 2015-12-21
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  • Publisher: Routledge

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insul

Critical Self-fashioning
  • Language: en
  • Pages: 248

Critical Self-fashioning

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Moments of Negotiation
  • Language: en
  • Pages: 348

Moments of Negotiation

Moments of Negotiation offers the first book-length and indepth analysis of the New Historicist reading method, which the American Shakespeare-scholar Stephen Greenblatt introduced at the beginning of the 1980s. Ever since, Greenblatt has been hailed as the prime representative of this movement, whose critical acclaim has been one of the dominant trends in recent literary and cultural studies. In this new book, Jürgen Pieters attempts to fill a remarkable lacuna in the critical reception of Greenblatt's work. The book's aim is to provide a thorough analysis of the theoretical background of Greenblatt's method. This involves not only a close reading of Greenblatt's sources—the book offers ...

The Reformation of Romance
  • Language: en
  • Pages: 276

The Reformation of Romance

This study takes a fresh look at the abundant scenarios of disguise in early modern prose fiction and suggests reading them in the light of the contemporary religio-political developments. More specifically, it argues that Elizabethan narratives adopt aspects of the heated Eucharist debate during the Reformation, including officially renounced notions like transubstantiation, to negotiate culturally pressing concerns regarding identity change. Drawing on the rich field of research on the adaptation of pre-Reformation concerns in Anglican England, the book traces a cross-fertilisation between the Reformation and the literary mode of romance. The study brings together topics which are currentl...

Shakespeare's Curse
  • Language: en
  • Pages: 354

Shakespeare's Curse

  • Categories: Law
  • Type: Book
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  • Published: 2013-10-15
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  • Publisher: Routledge

Conceptualizing the curse as the representation of a foundational, mythical violence that is embedded within juridical discourse, Shakespeare’s Curse:The Aporias of Ritual Exclusion in Early Modern Royal Drama pursues a reading of Richard III, King John, and King Lear in order to analyse the persistence of imprecations in the discourses of modernity. Shakespeare wrote during a period that was transformative in the development of juridical thinking. However, taking up the relationship between theater, theology and law, Björn Quiring argues that the curse was not eliminated from legal discourses during this modernization of jurisprudence; rather, it persisted and to this day continues to ha...

Stephen Greenblatt
  • Language: en

Stephen Greenblatt

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

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Will in the World
  • Language: en
  • Pages: 441

Will in the World

Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

Shakespeare and New Historicist Theory
  • Language: en
  • Pages: 215

Shakespeare and New Historicist Theory

Over the past three decades, no critical movement has been more prominent in Shakespeare Studies than new historicism. And yet, it remains notoriously difficult to pin down, define and explain, let alone analyze. Shakespeare and New Historicist Theory provides a comprehensive scholarly analysis of new historicism as a development in Shakespeare studies while asking fundamental questions about its status as literary theory and its continued usefulness as a method of approaching Shakespeare's plays.