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Exploring how the medieval mystic Ibn 'Arabi has been read as an inclusive universalist through the interpretative field of Perennial Philosophy, this book shows how his metaphysics is inseparably intertwined with Islamic supersessionism. Ibn 'Arabi's universalist reception is thus traced to lineages of Eurocentrism, revealing how Perennialism is itself exclusionary.
"The thirteenth century mystic Ibn ʻArabi was the foremost Sufi theorist of the premodern era. For more than a century, Western scholars and esotericists have heralded his universalism, arguing that he saw all contemporaneous religions as equally valid. In Rethinking Ibn ʻArabi, Gregory Lipton calls this image into question and throws into relief how Ibn ʻArabi's discourse is inseparably intertwined with the absolutist vision of his own religious milieu-- that is, the triumphant claim that Islam fulfilled, superseded, and therefore abrogated all previous revealed religions. Lipton juxtaposes Ibn ʻArabi's absolutist conception with the later reception of his ideas, exploring how they have...
This book offers a comparative study of emotion in Arabic Islamic and English Christian contemplative texts, c. 1110-1250, contributing to the emerging interest in ‘globalization’ in medieval studies. A.S.Lazikani argues for the necessity of placing medieval English devotional texts in a more global context and seeks to modify influential narratives on the ‘history of emotions’ to enable this more wide-ranging critical outlook. Across eight chapters, the book examines the dialogic encounters generated by comparative readings of Muhyddin Ibn ‘Arabi (1165-1240), ‘Umar Ibn al-Fārid (1181-1235), Abu al-Hasan al-Shushtarī (d. 1269), Ancrene Wisse (c. 1225), and the Wooing Group (c. 1225). Investigating the two-fold ‘paradigms of love’ in the figure of Jesus and in the image of the heart, the (dis)embodied language of affect, and the affective semiotics of absence and secrecy, Lazikani demonstrates an interconnection between the religious traditions of early Christianity and Islam.
At first sight my book looks like a collection of essays. But there is a drama going on beneath the surface. The author is the narrator and the towering figure of C.G. Jung takes centre stage. Throughout the play Jung engages in dialogues and disputes with a number of philosophers, theologians and mystics. In the final act (the last three chapters) Jung encounters the great medieval Sufi master Ibn ‘Arabi. There are deep affinities between Jung and the Shaykh and these chapters are the merest beginning.
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