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Though the Neo-Assyrian Empire has largely been conceived of as the main actor in relations between its core and periphery, recent work on the empire’s peripheries has encouraged archaeologists and historians to consider dynamic models of interaction between Assyria and the polities surrounding it. Imperial Peripheries in the Neo-Assyrian Period focuses on the variability of imperial strategies and local responses to Assyrian power across time and space. An international team of archaeologists and historians draws upon both new and existing evidence from excavations, surveys, texts, and material culture to highlight the strategies that the Neo-Assyrian Empire applied to manage its diverse ...
The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state – the walled commune which became the chief driver of European commerce, culture, banking and art – that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.
An archaeological, historical, and art historical study of a remarkable early church excavated at Amheida in Egypt's Dakhla Oasis Early Christianity at Amheida (Egypt’s Dakhla Oasis): A Fourth-Century Church. Volume 1: The Excavations is an archaeological, historical, and art historical study of a remarkable basilica-church excavated at Amheida in Dakhla Oasis. This church, excavated between 2012 and 2023, dates to the fourth century CE and therefore is among the earliest purpose-built churches in Egypt. It also contains one of the oldest, if not the oldest, excavated Christian funerary crypts in the country. The church at Amheida thus offers a wealth of new data on early Christianity in Egypt, particularly with respect to the earliest phases of Christian art and architecture and burial customs. Aravecchia presents a systematic treatment of the stratigraphy, building techniques, materials, features, architecture, decoration, and finds of the church, carefully contextualized in contemporary developments in early Christianity in the late antique Great Oasis and Egypt more broadly.
Between the eleventh and fifteenth centuries, the social and cultural worlds of medieval Europe and the Eastern Mediterranean were transformed by the religious impetus of the crusades. Today we bear witness to these transformations in the material and environmental record revealed by new archaeological excavations and reappraisals of museum collections. This volume highlights new archaeological knowledge being developed by scholars working in the fields of history, archaeology, numismatics, and architecture to demonstrate its potential to change and augment our understanding of the crusades. The 16 chapters in this volume deploy a contemporary scientific approach to archaeology of the crusades to give an up-to-date account into the diverse range of research in this area. They explore five key themes: the implications of scientific methods, new excavations and surveys, architectural analyses, sigillography, and the application of social interpretations. Together these chapters provide a new way of approaching the study of the crusades, and demonstrate the value of taking a holistic view that utilises the full diverse range of evidence available to us.
Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
Explores the prominence of symbols and allegorical aspects in archaeology as expressions of iconographic evidence, material culture or ritual ceremonies, seen from a multicultural perspective.
The Proceedings of the 16th Symposium on Mediterranean Archaeology, Florence, Italy, 1-3 March 2012. [No other information found for this title].
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