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This volume examines the ten most popular fictional narratives in early modern Europe between 1470 and 1800. Each of these narratives was marketed in numerous European languages and circulated throughout several centuries. Combining literary studies and book history, this work offers for the first time a transnational perspective on a selected text corpus of this genre. It explores the spatio-temporal transmission of the texts in different languages and the materiality of the editions: the narratives were bought, sold, read, translated and adapted across European borders, from the south of Spain to Iceland and from Great Britain to Poland. Thus, the study analyses the multi-faceted processes of cultural circulation, translation and adaptation of the texts. In their diverse forms of mediality such as romance, drama, ballad and penny prints, they also make a significant contribution to a European identity in the early modern period. The narrative texts examined here include Apollonius, Septem sapientum, Amadis de Gaula, Fortunatus, Pierre de Provence et la belle Maguelonne, Melusine, Griseldis, Aesopus’ Life and Fables, Reynaert de vos and Till Ulenspiegel.
This book finds its origin partly in the International Colloquium on French and Francophone Literature in the 1990's at Dalhousie University, September 1998. number of the papers, since reworked, take their place here alongside other studies subsequently invited. They form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and francophone, poetic practice and its shifting, becoming conceptual underpinnings.
This is a new edition of an independent Middle English version of an enormously popular story collection, found in almost all European languages. This version was previously edited by Thomas Wright in 1845, but is not otherwise available. The new edition presents a corrected text with full introduction and commentary. The Seven Sages is the first framed story in English, and was known to Chaucer and Gower, among others.
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The essays in this volume reflect to a large degree the scholarly interests of the honorand: Arthurian romance, the fabliaux, and Villon, just to mention the principal ones. Over the years, Norris Lacy's contribution to, and influence on, the study of Old French literature has been practically incalculable.
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