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This first modern study of silver-fork novels investigates their role in the alliance of middle class and aristocratic political principles.
This volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
British salons, with guests such as Byron, Moore, and Thackeray, were veritable hothouses of political and cultural agitation. Using a number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary conversations - Schmid paints a vivid picture of the British salon between the 1780s and the 1840s.
This interdisciplinary volume explores the fictional portrayal of marriage by women novelists between 1800 and 1900. It investigates the ways in which these novelists used the cultural form of the novel to engage with and contribute to the wider debates of the period around the fundamental cultural and social building block of marriage. The collection provides an important contribution to the emerging scholarly interest in nineteenth-century marriage, gender studies, and domesticity, opening up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. An initial chapter outlines the public discourses around marriage in the nineteenth century, ...
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A prolific author of poetry and fiction, as well as a polemicist for reform of laws pertaining to married women, Caroline Norton inspired fictional portraits by Thackeray, Disraeli, Meredith, and her legal woes led to parodies by Dickens and Gilbert. The Narratives of Caroline Norton analyzes the writings of the controversial Victorian feminist in the context of the dominant social narratives of her day. This insightful study considers Norton’s work from the early silver fork writing to the late sensation novels, studies both her serious and satiric narratives, and considers her polemical pamphlets. Throughout, Randall Craig adeptly uses Norton’s stories in their literary and non-literary contexts to explicate the ways in which Victorian women were both defined and confined.
"Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from recent psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of gothic fiction. Illustrated with ten black and white plates and including an up-to-date bibliography, this will be an ideal text for all those with an interest in the Gothic."--BOOK JACKET.
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