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What difference does it make to identify Mark's gospel as an ancient biography? Reading the gospels as ancient biographies makes a profound difference to the way that we interpret them. Biography immortalizes the memory of the subject, creating a literary monument to the person’s life and teaching. Yet it is also a bid to legitimize a specific view of that figure and to position an author and his audience as appropriate “gatekeepers” of that memory. Biography was well suited to the articulation of shared values and commitments, the formation of group identity, and the binding together of a past story, present concerns, and future hopes. Helen Bond argues that Mark’s author used the genre of biography to extend the gospel from an earlier narrow focus on the death and resurrection of Jesus so that it included the way of life of its founding figure. Situating Jesus at the heart of a biography was a bold step in outlining a radical form of Christian discipleship patterned on the life – and death – of Jesus.
The introduction to this new guide sets out the sources (Graeco-Roman, Jewish and Christian), noting the problems connected with them, paying particular attention to the nature of the gospels, and the Synoptic versus the Johannine tradition. A substantial section will discuss scholarship on Jesus from the nineteenth century to the explosion of works in the present day, introducing and explaining the three different 'quests' for the historical Jesus. Subsequent chapters will analyse key themes in historical Jesus research: Jesus' Galilean origins; the scope of his ministry and models of 'holy men', particularly that of prophet; Jesus' teaching and healing; his trial and crucifixion; the highly contentious question of his resurrection; and finally an exploration of the links between the Jesus movement and the early church. Throughout, the (often opposing) positions of a variety of key scholars will be explained and discussed (eg. Sanders, Crossan, Dunn, Wright, Brown).
John's Transformation of Mark brings together a cast of internationally recognised biblical scholars to investigate the relationship between the gospels of Mark and John. In a significant break with the prevailing view that the two gospels represent independent traditions, the contributors all argue that John both knew and used the earlier gospel. Drawing on recent analytical categories such as social memory, 'secondary orality,' or 'relecture,' and ancient literary genres such as 'rewritten Bible' and bioi, the central questions that drive this volume focus on how John used Mark, whether we should speak of 'dependence,' 'familiarity with,' or 'reception,' and whether John intended his work to be a supplement or a replacement of Mark. Together these chapters mount a strong case for a reassessment of one of the key tenets of modern biblical criticism, and open up significant new avenues for further research.
John Nelson presents the first full length study of the Gospels' treatment of Jesus' appearance, exploring precisely why, though Christ's image is recognised throughout the modern world, he is not physically described in the texts. Nelson argues that while the Gospels resemble Graeco-Roman biographies in their focus on a single individual, they also frequently depart from the genre's conventions; one of their most glaring omissions, picked up in recent scholarship, is their total silence on what Jesus looked like. Nelson thus explores how the evangelists as Jewish authors might have uniquely engaged both the genre of the Gospels and the topic of Jesus' physical appearance. He makes clear the...
One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts' genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Mark's Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Mark's Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.
"Margaret Williams examines how classical writers saw and portrayed Jesus. The volume shows how each of the early classical writers who mentions him (the historian Tacitus; the biographer Suetonius; the epistolographer Pliny, the satirist Lucian and the philosopher Celsus) takes a different view of Jesus and presents him in a different way." --
Have we robbed Peter to pay Paul? Look at most evangelicals’ bookshelves and plenty of pages feature Paul. Why not Peter? Why not the man who walked with Jesus and played a foundational part in the early church? This book invites the reader to take another look at the fisherman turned foundational leader. By looking at his early days walking with Jesus through the end of his life and letters, this book will present Peter as an encouraging example for pastoral ministry and Christian formation.
The first three hundred years of the common era witnessed critical developments that would become foundational for Christianity itself, as well as for the societies and later history that emerged thereafter. The concept of 'ancient Christianity,' however, along with the content that the category represents, has raised much debate. This is, in part, because within this category lie multiple forms of devotion to Jesus Christ, multiple phenomena, and multiple permutations in the formative period of Christian history. Within those multiples lie numerous contests, as varieties of Christian identity laid claim to authority and authenticity in different ways. The Cambridge History of Ancient Christianity addresses these contested areas with both nuance and clarity by reviewing, synthesizing, and critically engaging recent scholarly developments. The 27 thematic chapters, specially commissioned for this volume from an international team of scholars, also offer constructive ways forward for future research.
Do you think that Jesus only surrounded himself with men? Think again. Inspired by their popular Channel 4 documentary Jesus' Female Disciples, historians Helen Bond and Joan Taylor explore the way in which Mary the mother of Jesus, Mary Magdalene, Mary, Martha and a whole host of other women - named and unnamed - have been remembered by posterity, noting how many were silenced, tamed or slurred by innuendo - though occasionally they get to slay dragons. Women Remembered looks at the representation of these women in art, and the way they have been remembered in inscriptions and archaeology. And of course they dig into the biblical texts, exposing misogyny and offering alternative and unexpected ways of appreciating these women as disciples, apostles, teachers, messengers and church-founders. At a time when both the church and society more widely are still grappling with the full inclusion and equality of women, this is a must-read for anyone interested in the historical and cultural origins of Christianity.
With over two billion followers today, Jesus of Nazareth is the most influential person to have walked the earth. But why has he had such an enormous impact? Written by a world authority, this brief history begins by assessing Jesus the man, then considers early portrayals of Jesus, the spread of Jesus-devotion during the Middle Ages, and what Jesus means to people today—both in the Church and in secular culture.