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Address of Senator Henry Wayland Hill
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
McKinley, Murder and the Pan-American Exposition
On September 6, 1901, President William McKinley held a public reception at the Pan-American Exposition in Buffalo, New York. In the receiving line, holding a gun concealed by a handkerchief, was Leon Czolgosz, a young man with anarchist leanings. When he reached McKinley, Czolgosz fired two shots, one of which would prove fatal. The backdrop of the assassination was among the largest of many world's fairs held in the late 19th and early 20th centuries. The Exposition celebrated American progress, highlighting the new technology electricity. Over 100,000 light bulbs outlined the Exposition's building--on display inside were the latest inventions utilizing the new power source. This new treatment of the McKinley assassination is the first to focus on the compelling story of the Exposition: its labor and construction challenges; the garish Midway; the fight for inclusion of an accurate African-American display to offset racist elements of the Midway; and the impressive exhibit halls.
Annual Report of the Regents
No. 104-117 contain also the Regents bulletins.
