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African American Communication & Identities
Boldly contending that culture can and should be a central organizing principle in studies pertaining to human interaction, African American Communication and Identities: Essential Readings is the first anthology to examine a wide range of communication studies specific to African American communicative experiences, including linguistic, rhetorical, and relational styles. In this compelling anthology, editor Ronald L. Jackson II explores constitutive aspects of African American communication behaviors as they relate to how African Americans define themselves culturally. Readers benefit from a plethora of research on African Americans related to almost every area of communication inquiry, inc...
The Evolution of Black Women in Television
This book seeks to interrogate the representation of Black women in television. Cheers explores how the increase of Black women in media ownership and creative executive roles (producers, showrunners, directors and writers) in the last 30 years affected the fundamental cultural shift in Black women’s representation on television, which in turn parallels the political, social, economic and cultural advancements of Black women in America from 1950 to 2016. She also examines Black women as a diverse television audience, discussing how they interact and respond to the constantly evolving television representation of their image and likeness, looking specifically at how social media is used as a tool of audience engagement.
The Hein and Fischer Families of Oberstedten, Germany, and Indiana, USA: Volume 2
The history and descendants of the Hein and Fischer families of Oberstedten, Germany who immigrated to Clark and Washington Counties Indiana in 1853. Includes the Blackman, Dodge, and Conway families. Volume 2 of 3. See www.TomHeinFamily.com for more information.
Television After TV
A critical reassessment of television and television studies in the age of new media.
The Oxford Handbook of Black Horror Film
Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. The Oxford Handbook of Black Horror Film presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences.
Consoling Ghosts
In conversation with emigrants from Laos and Cambodia, Jean M. Langford repeatedly met with spirits: the wandering souls of the seriously ill, dangerous ghosts of those who died by violence, restless ancestors displaced from their homes. For these emigrants, the dead not only appear in memories, safely ensconced in the past, but also erupt with a physical force into the daily life and dreams of the present. Inspired by these conversations, Consoling Ghosts is a sustained contemplation of relationships with the dying and the dead. At their heart, as Langford’s work reveals, emigrants’ stories are parables not of cultural difference but rather of life and death. Langford inquires how and w...
Black Cinema & Visual Culture
This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and A...
Representation
Since 1997 Representation has been the go-to textbook for students learning the tools to question and critically analyze media texts and images. This long-awaited third edition has been updated throughout to engage with the impact of digital technology and culture, and the changes in political culture, social movements and the cultural industries. The new edition includes: A new preface by Sean Nixon, focusing on digital media, and theories of representation. A new Afterword by Kobena Mercer to Stuart Hall’s classic chapter on ‘The Spectacle of the Other’ Revised chapters with additional content on digital media, de-westernising culture, imperialism and BLM, and new readings tying contemporary issues of race, gender and power A new chapter by Nancy Thumim exploring digital forms of self-representation and representation in/of Politics, looking at media spectacle, political imagery, the Me Too movement and Black Lives Matter. The Third Edition provides an indispensable resource for students and teachers in cultural and media studies.
Format Matters
From TIFF files to TED talks, from book sizes to blues stations - the term "format" circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies.
