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What views and attitude does the Religion of Islam have regarding Muslim Women? What lies behind the Hijab Veil? Oppression or Liberation? Sometimes the media and society paint the Religion of Islam with an image of oppression, particularly towards women. While sadly it holds true that certain Muslim women are oppressed in some areas around the world, what exactly comprises the Islamic stance and view in regard to Muslim women? Does Islam hold oppressive and sexist views, using religious text to justify them? Or does the faith of Islam state that men and women were both created equal in the eyes of God? Is the Hijab Veil a form of oppression toward Muslim women, or does the veil actually lib...
Introducing innovative new research from international scholars working on Islamic fashion and its critics, Islamic Fashion and Anti-Fashion provides a global perspective on muslim dress practices. The book takes a broad geographic sweep, bringing together the sartorial experiences of Muslims in locations as diverse as Paris, the Canadian Prairie, Swedish and Italian bath houses and former socialist countries of Eastern Europe. What new Islamic dress practices and anxieties are emerging in these different locations? How far are they shaped by local circumstances, migration histories, particular religious traditions, multicultural interfaces and transnational links? To what extent do developments in and debates about Islamic dress cut across such local specificities, encouraging new channels of communication and exchange? With original contributions from the fields of anthropology, fashion studies, media studies, religious studies, history, geography and cultural studies, Islamic Fashion and Anti-Fashion will be of interest to students and scholars working in these fields as well as to general readers interested in the public presence of Islam in Europe and America.
A discussion on the history and development of veiling.
Given the intense political scrutiny of Islam and Muslims, which often centres on gendered concerns, The Routledge Handbook of Islam and Gender is an outstanding reference source to key topics, problems, and debates in this exciting subject. Comprising over 30 chapters by a team of international contributors the Handbook is divided into seven parts: Foundational texts in historical and contemporary contexts Sex, sexuality, and gender difference Gendered piety and authority Political and religious displacements Negotiating law, ethics, and normativity Vulnerability, care, and violence in Muslim families Representation, commodification, and popular culture These sections examine key debates an...
Electronic version of Fashion, costume, and culture. Detroit : UXL, 2004. 5 v.
This book investigates ways of dressing, style and fashion as gendered and embodied, but equally as “religionized” phenomena, particularly focusing on one significant world religion: Islam. Through their clothing, Muslims negotiate concepts and interpretations of Islam and construct their intersectionally interwoven position in the world. Taking the interlinkages between ‘fashionized religion,’ ‘religionized fashion,’ commercialization and processes of feminization as a starting point, this book reshapes our understanding of gendered forms of religiosity and spirituality through the lens of gender and embodiment. Focusing mainly on the agency and creativity of women as they appro...
In her book, Juliane Kanitz not only examines the frequently asked question of why Muslim women wear a headscarf, but also concentrates on how it is worn. She is concerned with the cultural, aesthetic and fashionable preferences of women and not primarily with the religious motives that are otherwise often the focus of attention. In addition to a contribution to research on the Muslim headscarf, the author presents theoretical and empirical supplements to Islamic fashion and Islam in Germany as a whole. She also discusses the debate on Europeanization, in which arguments against Muslims are put forward, and develops some perspectives on the topic of the headscarf in Germany that have not yet been taken into account, made possible by the new perspective of fashion.
The interpretation of the main Islamic rules for women's dress vary from country to country and are subject to cultural circumstances and individual styles. For example, Muslim women in Northern Africa and the Middle East dress very differently from those in Pakistan and Southeast Asia. The basic tenet in Islam that tells people to dress modestly, particularly in public, does not mean that Muslim women are not stylish. There has always been an great interest in beautiful fabrics and well-made clothes in the Islamic World and decorative crafts such as embroidery, passementerie, silk weaving and the like are very regarded. Nowadays, Muslimahs the world over shop for the latest fashions and are highly creative in dressing trendy, elegantly and hijab at the same time. Islamic Fashion contains an extensive overview of dress from several Muslim regions and many pictures of modern Islamic fashion. Also included are photographs and drawings of embroidered, printed and woven decorative elements. A wide selection of these images is saved on the enclosed CD.