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The Biography of Ancient Israel
"Pardes has a remarkable gift for asking new questions about familiar texts and providing fresh insights into old problems. By looking closely at the key metaphors and the narrative details of the biblical story of the formation of the Israelite nation, she has teased out of the text a compelling biography."—Robert Alter, Professor of Hebrew and Comparative Literature, University of California, Berkeley "Ilana Pardes elegantly recasts the mythic story of Israel's emergence as the story of the birth, individuation, initiation, and maturity of an emergent subject. Ambivalences, deferrals, power struggles, and multiple memories all characterize Israel's development and the stories told about ...
The Bible and Feminism
This groundbreaking book breaks with established canons and resists some of the stereotypes of feminist biblical studies. It features a wide range of contributors who showcase new methodological and theoretical movements such as feminist materialisms, intersectionality, postidentitarian 'nomadic' politics, gender archaeology, and lived religion, and theories of the human and the posthuman. The Bible and Feminism: Remapping the Field engages a range of social and political issues, including migration and xenophobia, divorce and family law, abortion, 'pinkwashing', the neoliberal university, the second amendment, AIDS and sexual trafficking, and the politics of 'the veil'. Foundational figures...
Feminist Theory and the Bible
Feminist Theory and the Bible: Interrogating the Sources conceptualizes, contextualizes and maps a new kind of burgeoning scholarship that has grown up in recent decades. This scholarship emerged in the margins of Feminist Studies and Biblical Studies and has yet to find a foothold in either one of these more established contexts. In this book, Esther Fuchs argues that in order to find an enduring, stable place in the academe, this scholarship requires a theoretical perspective. Biblical Studies as a whole has not yet been sufficiently theorized as an academic field, and currently consists of multiple disciplines relying for the most part on traditional scholarly discourses. In this regard, Feminist Biblical Studies is both a departure from and an important supplement to both Feminist Studies and Biblical Studies.
The Hebrew Bible
In April of 2001, the headline in the Los Angeles Times read, “Doubting the Story of the Exodus.” It covered a sermon that had been delivered by the rabbi of a prominent local congregation over the holiday of Passover. In it, he said, “The truth is that virtually every modern archeologist who has investigated the story of the exodus, with very few exceptions, agrees that the way the Bible describes the exodus is not the way it happened, if it happened at all.” This seeming challenge to the biblical story captivated the local public. Yet as the rabbi himself acknowledged, his sermon contained nothing new. The theories that he described had been common knowledge among biblical scholars...
העוד דוד מנגן לפניך?
Does David Still Play Before You? explores the ways that contemporary Israeli poets have made use of images from the Bible in their poetry. Through close readings of fifty poems, featured in their original Hebrew and in English translation, David Jacobson studies how Israeli poets respond to and incorporate the Bible in their work and reflect on the presence of the Bible in contemporary Israeli culture. The book provides a stunning collection of powerful and moving voices. Jacobson organizes the works according to subjects that recur with great frequency in Israeli poetry based on the Bible: the Arab-Israel conflict, responses to the Holocaust, relations between men and women, and modern challenges to traditional religious faith. Jacobson's literary analysis is informed by an astute awareness of the role of the Bible in Israeli culture. This volume is the first comprehensive study of the use of the Bible by Israeli poets, a phenomenon that is central to the development of Israeli poetry.
Reading the Song of Songs in a #MeToo Era
The Song of Songs is the only book of the Bible to privilege the voice of a woman, and its poetry of love and eroticism also bears witness to violence. How do the contemporary #MeToo movement and other movements of protest and accountability renew questions about women, gender, sex, and the problematic of the public at the heart of this ancient poetry? This edited volume seeks to reinvigorate feminist scholarship on the Song by exploring diverse contexts of reading, from Akkadian love lyrics, to Hildegard of Bingen, to Marc Chagall.
Melville’s Bibles
"This is a splendid book, showing Ilana Pardes as a scholar-critic at the height of her powers. Distinguished and full of originality, Melville's Bibles brings into play a richly nuanced and minutely informed sense of the multiple roles of the Bible in antebellum American culture. This work is an important new understanding of the nature of Melville's major novel."—Robert Alter, Professor of Hebrew and Comparative Literature, University of California, Berkeley "With a command of Biblical scholarship and a keen textual sensitivity, Pardes deftly analyzes the ways in which Melville incorporates Biblical language, genre, plot, character, and debate in Moby-Dick. Few critics have captured Melville's Biblical apprehensions and pretensions as well as Pardes or with her intellectual range and sympathy."—Samuel Otter, Associate Professor of English, University of California, Berkeley
Countertraditions in the Bible
In this eye-opening book, llana Pardes explores the tense dialogue between dominant patriarchal discourses of the Bible and counter female voices.
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