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The problem of visualising multivariate data and tensor fields inherits its complexity from the data it targets. By definition, complex data is "hard to separate, analyse, or solve"1. This becomes evident through the fact that methods for "simple" data such as scalars and vectors do not trivially extend to multivariate data and tensors. In the light of increasing number of output variables from simulation models and measurements, this lack of methods leads to a limited choice in the analysis and to a lower fidelity of the analysis. In addition, split application of established methods to a subset of the data, for example the separate rendering of isosurfaces for the different scalar fields c...
Mathematical Foundations of Scientific Visualization, Computer Graphics, and Massive Data Exploration
The goal of visualization is the accurate, interactive, and intuitive presentation of data. Complex numerical simulations, high-resolution imaging devices and incre- ingly common environment-embedded sensors are the primary generators of m- sive data sets. Being able to derive scienti?c insight from data increasingly depends on having mathematical and perceptual models to provide the necessary foundation for effective data analysis and comprehension. The peer-reviewed state-of-the-art research papers included in this book focus on continuous data models, such as is common in medical imaging or computational modeling. From the viewpoint of a visualization scientist, we typically collaborate w...
Writing Madness, Writing Normalcy
What does it mean to be "mad" in contemporary American society? How do we categorize people's reactions to extreme pressures, trauma, loneliness and serious mental illness? Importantly--who gets to determine these classifications, and why? This book seeks to answer these questions through studying an increasingly popular media genre--memoirs of people with mental illnesses. Memoirs, like the ones examined in this book, often respond to stigmatizing tropes about "the mad" in popular culture and engage with concepts in mental health activism and research. This study breaks new academic ground and argues that the featured texts rethink the possibilities of community building and stigma politics. Drawing on literary analysis and sociological concepts, it understands these memoirs as complex, at times even contradictory, approaches to activism.
In Black and Gold
In Black and Goldindicates that opposed styles of poetry reveal subterranean correspondences that occasionally meet and run together. Austerity or tomfoolery are two of the many valid responses to the human condition that create the contiguous traditions that cannot help touching and reacting to each other. The poetry discussed in this book deals with the relation of individuals to strange or to familiar landscapes, and what this means to their own sense of displacement or rootedness; with the use of history as an escape from or as a challenge to an apparently failing present; and with the role of nationalism either as a refuge for angry frustration, or as a weapon against the affronting wor...
Flamboyant Fictions
Exposes a stylistic tradition of flamboyantly failed passing in queer literature and film This book posits formal experimentation as an index for evolving expressions of male homosexuality from literary modernism to the German New Wave and the present day. Ian Fleishman exposes a tradition of flamingly failed passing that is itself a surreptitious mode of passing: the flaunting of queer style as an intentionally unconvincing cover for queer content. Exploring a corpus of films and novels by André Gide, Jean Genet, Rainer Werner Fassbinder, Werner Schroeter, François Ozon, and Xavier Dolan, among others, Flamboyant Fictions: The Failed Art of Passing intervenes in trenchant debates about queer agency, visibility, negativity, and disidentification. Mapping queer strategies of storytelling onto queer practices of self-invention, Flamboyant Fictions wagers that it is precisely in instances of conflict between these auteurs and their inventions that narrative becomes a laboratory for testing the sovereignty and self-determination of queer identity.
Hysteria, Trauma and Melancholia
Hysteria, trauma and melancholia have not only become powerful tropes in modern-day culture at large; they are also prominent in the theatre. How do contemporary plays employ these concepts? How does the staging of these 'disorders' affect the aesthetics of the plays? What exchange relations between theory and theatre can be traced? Christina Wald pursues such questions in this new study, establishing the characteristics and concerns of 'The Drama of Hysteria', 'Trauma Drama' and 'The Drama of Melancholia' through in-depth readings of works by playwrights such as Anna Furse, Jerry Johnson, Sarah, Daniels, Phylis Nagy, Claire Dowie, David Auburn, Marina Carr and Sarah Kane. Conceptualising hysteria, trauma and melancholia as 'performative maladies', Wald educes an exciting interaction of theatrical performance, psychiatric and psychoanalytic theory, and the theory of gender performativity.
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