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The Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what m...
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Of all the great British rock bands to emerge from the 1960s, none had a stronger sense of place than the Kinks. Often described as the archetypal English band, they were above all a quintessentially working-class band with a deep attachment to London, particularly the patch of suburban North London where most of the members grew up. In this illuminating study, Mark Doyle examines the relationship between the Kinks and their city, from their early songs of teenage rebellion to their later album-length works of social criticism, providing a unique perspective on the way in which the band responded to the shifting nature of working-class life. Along the way, he finds fascinating and sometimes surprising connections with figures as diverse as Edmund Burke, John Clare, Charles Dickens, and the Covent Garden Community Association. More than just a book about the Kinks, this is a book about a city, a nation, and a social class undergoing a series of profound, sometimes troubling changes—and about a group of young men who found a way to describe, lament, and occasionally even celebrate those changes through song.
Science-fiction, fantasy and horror movies cover a broad canvas including Frankenstein and Tod Slaughter, Dracula and Donald Duck, moon men and mad doctors, gorillas and crazy scientists, talking mules and helpful angels. Other categories covered in this book include Alien Encounters, Lost Worlds, Space Travel, Monsters, Creepy Old Houses, Phantom Killers, Mystery Thrillers, Animated Cartoons, and Horror Spoofs such as "Abbott and Costello Meet Frankenstein."
Serge Diaghilev's Ballets Russes holds a renowned position in the history of modernism across various arts. The company's daring productions brought together leading artists working in diverse fields - from Igor Stravinsky to Pablo Picasso, from Bronislava Nijinska to Coco Chanel - redefining the possibilities of artistic collaboration and shaping the trajectories of dance, music, fashion, and the visual arts. But what of the Ballets Russes's role in the text-based theatre? Despite the intrinsic link between dance and theatre as performance arts, the company's contributions to dramatic literature and dramaturgy have remained surprisingly elusive. This book establishes the Ballets Russes as a...
In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
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