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Focusing on fine art and documentary photography, this book provides a racially diverse and culturally inclusive version of photography history and its contemporary manifestations. Who’s documenting the evolution of photography as it is happening now from an inclusive, transnational perspective? This is the challenge this book aims to address. The collection is the print manifestation of the Dodge and Burn art photography blog actively published from 2007 to 2018, including a selection of 35 interviews with photographers and art professionals from underrepresented communities—those of African, Asian, Latinx/é and Native American heritage. It captures fascinating accounts of artists of color and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, socio-political conversations, and more. Decolonization and Diversity in Contemporary Photography is a powerful collection that celebrates and exhibits the talents of underrepresented artists. It is essential reading for both photography students and aspiring photographers.
The COVID-19 pandemic has reorganized existing methods of exchange, turning comparatively marginal technologies into the new normal. Multipoint videoconferencing in particular has become a favored means for web-based forms of remote communication and collaboration without physical copresence. Taking the recent mainstreaming of videoconferencing as its point of departure, this anthology examines the complex mediality of this new form of social interaction. Connecting theoretical reflection with material case studies, the contributors question practices, politics and aesthetics of videoconferencing and the specific meanings it acquires in different historical, cultural and social contexts.
Brazil is a racialized country. Its social history is recorded in the spaces occupied by the colonial invasion, the domination of native peoples, slavery and European immigration. Walking through this large territory, it is clear that this story has imprinted marks on the land, colonized bodies and minds, which translates and is updated daily in relationships, in the purposeful invisibility of a part of the population. Everyone participates in this system, black, white and non-white, and it is essential that this is known. The racist ideology, propagating ideas of inferiority and subordination of certain peoples, crosses everyone, although from different places and experiences, and oppressed...
Isabel Löfgren takes us to the Stockholm high-rise suburbs to show us how art projects and transnational media intermingle with the multicultural urban reality. In this book, she discusses the architecture of her project Satellitstaden, where her artistic interventions with the satellite dishes on façades highlight the voices of its inhabitants through participatory and co-generative artistic processes. In these peripheries, satellite subjects emerge, orbiting around multiple identifications, foregrounding the notion of spatial justice, the subaltern and the importance of grassroots movements. The book outlines a philosophy of hospitality in response to the turn in Europe against refugees,...
Consists of reprints from various scientific publications.
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