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Football star Harry Charles begins college life yearning for acceptance that his small town can't give him. When his father commits suicide, he is thrust into wealth and perceived social prominence, as well as into a chronic depression-an illness little understood in 1917. Harry's charismatic new roommate, Simon, exposes him to gambling, drinking and the seductive world of horse racing at Saratoga Race Course. Harry's addiction to winning at all costs fuels his participation in a rigged horse race, an orchestrated sinking of a valuable car, and the fixed World Series of 1919. Will alcohol and gambling permanently rob Harry of the love of his life, his sanity, his money, and the happy life he may have led? Or will he be given a last chance to become the person he has always been? In this fast-paced perilous race through life, beating the odds of addiction may make Harry a hopeless longshot that will never win.
This volume provides a comprehensive account of how scholarship on affect and scholarship on texts have come to inform one another over the past few decades. The result has been that explorations of how texts address, elicit, shape, and dramatize affect have become central to contemporary work in literary, film, and art criticism, as well as in critical theory, rhetoric, performance studies, and aesthetics. Guiding readers to the variety of topics, themes, interdisciplinary dialogues, and sub-disciplinary specialties that the study of interplay between affect and texts has either inaugurated or revitalized, the handbook showcases and engages the diversity of scholarly topics, approaches, and projects that thinking of affect in relation to texts and related media open up or enable. These include (but are not limited to) investigations of what attention to affect brings to established methods of studying texts—in terms of period, genre, cultural contexts, rhetoric, and individual authorship.
“[E]ver until the end — he retired in 1959 — a ‘diplomat among warriors’... this was Bob Murphy’s very special role. I doubt if any other diplomat has ever had an equivalent one. A normal Ambassador is assigned to prevent war or make peace. Much of his diplomacy was the diplomacy of war itself. He was a devoted, first-class public servant, a worthy companion to the great soldiers he accompanied. His memoirs, which include a great deal of fascinating, new historical material, should be widely read.” — C.L. Sulzberger, The New York Times “This important diplomatic memoir provides a wealth of rewarding insights and information about recent events in American foreign relations....
While much attention has focused on society, culture, and the military during the Algerian War of Independence, Law, Order, and Empire addresses a vital component of the empire that has been overlooked: policing. Samuel Kalman examines a critical component of the construction and maintenance of a racial state by settlers in Algeria from 1870 onward, in which Arabs and Berbers were subjected to an ongoing campaign of symbolic, structural, and physical violence. The French administration encouraged this construct by expropriating resources and territory, exploiting cheap labor, and monopolizing government, all through the use of force. Kalman provides a comprehensive overview of policing and c...