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This book is a study of contemporary Radio 4 output, covering the entire broadcast day. Radio is largely neglected by media and cultural studies. The small body of existing work on Radio 4 is predominantly historical, focusing on institutional history, or sociological, focusing on contemporary BBC editorial and journalistic practices. Reading Radio 4, by contrast, analyses contemporary Radio 4 programmes entirely from the point of view of today’s listener. Individual chapters correspond to all existing Radio 4 timeslots in the entire broadcast day of 19 hours 40 minutes, from 5.20am to 1.00am. The study, while academic in approach, aims to promote an informed and critical appreciation of Radio 4 for all listeners, as well as students of the media.
Guy Starkey offers a clearly structured discussion of 'balance' in the media, and the difficulties inherent in both achieving and measuring it. Providing an analysis of theoretical issues, an exploration of practical considerations and a review of methods for assessing journalistic output, it will appeal to students of journalism and media studies.
Based on original and previously unseen written and sound archives and interviews with former and current radio producers and presenters, Public Issue Radio addresses the controversial question of the political leanings of current affairs programmes, and asks if Analysis became an early platform for both Thatcherite and Blairite ideas.
English summary: Close relationships that go beyond family ties and kinships have become an interdisciplinary research subject that has received a lot of attention. Variations of social ties such as friendship, patronage and social networks ensue from different historical and cultural contexts and, hence, constitute a significant yet under-represented subject of interdisciplinary research. Questions such as the changing semantics of friendship, historical, intercultural and political practices of friendship, patronage and loyalty were the focus of an international conference for a critical discussion and re-assessment of values and norms that constitute such relationships in different cultur...
For the Right Honourable Harry White, Britain's charismatic and politically savvy prime minister, it is a busy day like any other at 10 Downing Street. Every minute is packed with politics, people and policies, and the odd flirtation. There is a peremptory invitation to lunch with megalomaniac media lord Matt Drummond, a parliamentary rebellion to be batted away, an urgent call from the White House about a crisis in the Middle East. Until, finally, Harry White and his entourage are ready to fly to Glasgow for the last item on their schedule: the Old Firm game between Rangers and Celtic, the traditional Scottish rivals. It is a game that Harry has little interest in, but there are at least tw...
It is what millions of people in Britain wake up to every morning: the radio programme that starts their day, and sends them off to the office or to take the children to school infuriated, amused, exasperated, eniightened - but above ail informed. Though you might frown at the blood sport of John Humphreys interrogating a hapless cabinet minister, or wince at the homespun philosophising of 'Thought for the Day', Today could no more be dispensed with than the first cup of coffee. It is listened to in Downing Street, in far-flung British embassies, and by foreign ambassadors to the UK seeking to gauge the national mood. So how have these three hours of radio, from six till nine, come to assume such a central part of British political, cultural - and indeed everyday - life? Now, Tim Lucknurst, himself once a producer of the programme, has written the most authoritative anatomy of the phenomenon that is Today. He reveals how what we nowadays value for its hard news exposes and political interrogations began life as an undistinguished miscellany of light news under the avuncular Jack DeManio. He traces Today's move to the political centre-stage back to the Thatcherite eighties, when rad
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