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Saltwater City pays tribute to those who went through the hard times, to those who swallowed their pride, to those who were powerless and humiliated, but who still carried on. They all had faith that things would be better for future generations. They have been proven correct. Canada’s first Chinese arrived in British Columbia in 1858 from California. Almost all mee—merchants, peasants, and laborers — and almost all from eight rural counties in the Pearl River delta in what is now Guangdong province — they came in search of gold and better fortune, escaping the rebellions, flood and drought of their homeland. By 1863 over 4,000 Chinese lived in B.C., filling jobs shunned by whites: miners, road builders, teamsters, laundry men, restaurateurs, domestic servants and cannery workers. Between 1881 and 1885, thousands more arrived, most imported to build the transcontinental railway. They were to create, in Vancouver, Canada’s largest and most dynamic Chinese Community, known to its original inhabitants as Saltwater City.
As the twentieth century got under way in Canada, young women who entered the paid workforce became the focus of intense public debate. Young wage-earning women – “working girls” – embodied all that was unnerving and unnatural about modern times: the disintegration of the family, the independence of women, and the unwholesomeness of city life. These anxieties were amplified in the West. Long after eastern Canada was considered settled and urbanized, the West continued to be represented as a frontier where the idea of the region as a society in the making added resonance to the idea of the working girl as social pioneer. Using an innovative interpretive approach that centres on literary representation, Lindsey McMaster takes a fresh look at the working heroine of western Canadian literature alongside social documents and newspaper accounts of her real-life counterparts. Working Girls in the West heightens our understanding of a figure that fired the imagination of writers and observers at the turn of the last century.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
In three series: 1. Cases at law -- 2. Cases in equity -- 3. Matrimonial cases.